Word: moorehead
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QUINCY HOUSE--Dangerous, with Bette Davis, at 8 p.m., and Hush, Hush, Sweet Charlotte, with Bette Davis, Olivia de Havilland, and Agnes Moorehead at 10 p.m., Friday and Saturday, February...
...great many stage and film actors used to stimulate that faculty, among them Jeff Chandler, Van Heflin, Richard Widmark, Agnes Moorehead and E.G. Marshall. To many performers, ra dio drama remains more than a warm memory. Moorehead and Marshall, for example, are returning to CBS Radio Mystery Theater at far less than their customary salaries. "There is a place for the spoken word in our lives," Marshall insists. "Just think of how much fun it will be to turn off the lights at home, rest your eyes and get involved, using your mind instead of just sharing...
Only Alfred Drake, as Gaston's uncle, is an unalloyed delight though Agnes Moorehead as Gigi's worldly aunt is tartly amusing. As an inveterate and accomplished boulevardier with a mischievously saucy eye for maid or matron, Drake is a shameless charmer with voice that is pure gold. The score-much of it reprised from the film-is far and away the best part of the show. As for the negligible choreography, it seems rather like a course in ballroom deportment except for one cancan number, and anyone who can work up much excitement over the cancan...
Citizen Kane. Orsen Welles, Joseph Cotton, Agnes Moorehead. Maybe the great American movie. Welles plays a tycoon, modelled after William Randolph Hearst, whose spiralling climb to wealth and power is paralleled by his decline into emotional paralysis. This takes shape cinematically in ever deeper focus shots that oppress Welles ever smaller, ever less impotent and more isolated within the frame. Don't waste your time wondering about Rosebud (it is the name of his sled. Lost innocence, get it. Right, the only woman he ever loved was his mother) Orson Welles...
Citizen Cane. Orsen Welles, Joseph Cotton, Agnes Moorehead. Maybe the great American movie. Welles plays a tycoon, modelled after William Randolph Hearst, whose spiralling climb to wealth and power is paralleled by his decline into emotional paralysis. This takes shape cinematically in ever deeper focus shots that oppress Welles ever smaller, ever less impotent and more isolated within the frame. Don't waste your time wondering about Rosebud (it is the name of his sled. Lost innocence, get it. Right, the only woman he ever loved was his mother). Orson Welles...