Word: mistress
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Dates: during 1920-1929
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...Siegfried Geyer, embellished it with his own impish slang and metaphor. Miss Lawrence plays the part of a cuddlesome lady with a crinkly nose who accepts a blind date over the telephone and presently finds herself received by a debonair, ingenuous Prince-Mr. Howard. Asked if he has many mistresses, he observes: "They do pile up." She is even more enchanted by the Prince's frolicsome valet, who kisses her when his master is out of the room and is admirably behaved in every respect. What the audience knows, and Miss Lawrence does not, is that the Prince...
...children to live with a Mrs. Mamah Bostwick Cheney and her two children, family of a Chicago businessman. For himself and them he built a splendidly original home on a rocky hill at Spring Green, southern Wisconsin. A thin-lipped Barbados Negro, their butler, one day chopped Mistress Cheney, her children and four neighbors to death with an axe and burned down the house. When Architect Wright rebuilt it, Miriam Noel, English sculptress who had fallen in love with his picture, joined him first as mistress, then as wife. She was obliged, for lack of money, to use precious...
...Dorothy Mackaill she tells him she lives on Fifth Avenue and gives him the number of a house that as inevitably happens in these cases turns out to be his own. Hard to Get does not rise to any heights of originality in keeping Miss Mackaill from becoming mistress of this house but its photography is smart. Best shots: The Martin family at home...
...across the Hudson River from Manhattan. Since their ancient modes seemed absurd to modern playgoers, these Hoboken theatricals became a fad. Audiences which were always rowdy, however fashionable, hissed the villains, cheered the heroes. Mr. Morley's latest attempt to make money exploits Joan Lowell, touted literary hoax-mistress (The Cradle of the Deep). It is a maritime melodrama, written by her husband, which permits her to maneuver in the shrouds and employ the nautical idiom. But it is not funny, either in itself, or in the manner of its predecessors...
Jealousy (Paramount). Louis Verneuil's play was much praised on Broadway last season for technical cleverness -its only characters were the ex-mistress of a boulevardier, her new husband, an all-too-human telephone. Maddened by things he heard over the wire, the husband finally went out to slay the other man. This story has now been made into a sound cinema. The unseen lover appears, but to no advantage. Jeanne Eagels as the wife employs a ridiculous English accent, the action is turgid, the photo-graphs dull. Silliest shot: Frederic March taking time out to suppress his justifiable...