Word: minghella
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...Ripley, for which he lost 25 lbs. in order to appear pale and skinny, Damon spent a month learning to ride and bulking up for his portrayal of an 18-year-old cowboy in All the Pretty Horses, which will be released in late 2000. When Ripley director Anthony Minghella visited Damon on that set, he barely recognized him. "He was like the more successful, more centered, more handsome, just generally more masculine and surefooted cousin of Ripley," he says. And as Damon conducted a barrage of press interviews for Ripley, he was squirming under a brace because...
...things that make the real-life Damon a star--his agreeable features, easy smile and whelpish energy--keep the audience glued to his side in The Talented Mr. Ripley despite the repulsive acts his character commits. His apple-pie qualities are essential to the moral disquiet Minghella strives to create in the audience. But they don't necessarily make Damon a good actor. If Damon has a demon, it is that he thinks the jury is still out on whether he can act. "Gwyneth [Paltrow] can walk into a scene and be talking about something else, and they say 'Action...
...Ripley? He is the lead character in five novels by Patricia Highsmith and now, as incarnated by Matt Damon, a beguiling movie icon in the making. Second question: Who cares? For a start, an international coterie of readers spread across four decades. To that devoted coterie, add Anthony Minghella. "Ripley is one of the most interesting characters in postwar fiction," Minghella says, and he ought to know. The writer-director has spent three years, ever since he finished his Oscar-winning epic The English Patient, puzzling out the emotional vectors of crime fiction's most seductive sociopath...
...TALENTED MR. RIPLEY Tom Ripley (Matt Damon) would rather "be a fake somebody than a real nobody." So he pursues a fatal game of pretense in Anthony Minghella's devious twist on the Patricia Highsmith crime novel about patrician indolence and underclass yearning. In a handsome cast, no one can touch Jude Law for golden gorgeousness with an undercoat of sadism...
...Given Sunday starring Al Pacino and Cameron Diaz. The same day (talk about counterprogramming hitting counterprogramming, thus eliminating the point of counterprogramming), Jim Carrey does Andy Kaufman in Milos Forman's Man on the Moon. In this issue, we give you a look at The Talented Mr. Ripley, Anthony Minghella's follow-up to The English Patient that stars Matt Damon and Gwyneth Paltrow in a wicked little tale about murder, sexual identity and Italian palazzos...