Word: mind
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Dates: during 1940-1949
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...master's "great works." And Dealer Reeves Lewenthal, who discovered the picture and sold it to Goetz last year, offered to refund its purchase price, reputed to be more than $50,000. Owner Goetz, who still liked the picture, had not yet made up his mind about keeping...
...Epics. But the congestion and confusion, Berlin decided, had also a more sinister cause. U.S. universities, he found, were plagued by an enervating sense of guilt-a "state of mind of academic persons . . . whom war service or some other sharp new experience has made painfully aware of the social and economic miseries of their society. Like the youthful Kropotkin ... a student or professor in this condition wonders whether it can be right for him to continue to absorb himself in the study of, let us say, the early Greek epic at Harvard, while the poor of south Boston go hungry...
...earlier spent four months of skull-cracking labor trying to decipher the piece. Serly later said: "No man ever had such a task in his life . . . In order to finish this work as Bartok would have finished it, I had to put myself in a dead man's mind." Serly completed the score for viola (after rejecting the notion of adapting it for the more popular cello) and worked out the full orchestration...
...could lose money," he says. "And I had to establish myself in New York. I could borrow money from my Texas friends to buy a small hotel, but only in New York could I get the millions I wanted to swing the deals I had in mind." The first deal looked too good to Hilton. The famed Ritz Hotel was offered to him for $700,000 and he turned it down. Said he: "I thought they were just taking advantage of a fellow from out West." (They weren't; Hilton now regretfully estimates the Ritz to be worth...
...story, derived from one of William Faulkner's most polemic works, was shot almost entirely in Faulkner's home town (Oxford, Miss., pop. 3,500), with the author acting as a sidewalk superintendent during the filming. Nonetheless, the movie, stripped of Faulkner's peripheral probings into mind, heart and scene, is not only dead serious but dead on its feet; its cautious approach to its material results in a film that is more like an arty still photograph than a motion picture...