Word: millennium
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...straight alike—it’s very important that they’re not playing gay,” said Laura C. Hirschberg ’09, the director of the first part of “Angels,” “Millennium Approaches.” [SEE CORRECTION APPENDED...
...April 10 arts article "Building Character for 'Angels in America'" incorrectly stated that Laura C. Hirschberg ’09 was the director of the first part of “Angels in America,” “Millennium Approaches.” In fact, Hirschberg directed "Perestroika," the second part of "Angels in America...
...active involvement of African leaders in developing and implementing the program was crucial to its success, Frazer said, adding that the Obama administration should make a concerted effort to make African leaders an instrumental part of their policies there. Frazer also cited policies in economic development, specifically referencing the Millennium Challenge account, which provides billions of dollars to African countries with sound governing and economic practices as a means of incentivizing sustainable economic development in developing African countries. Audience members said Frazer’s comments were surprisingly frank and at times even confrontational about her viewpoint on U.S. policy...
...elements of life in America, find themselves forced to confront their innate prejudices. In “Perestroika,” the conflict is heightened by the addition of a new dimension: the supernatural. Prior (Jonah C. Priour ’09), whose dignified response in “Millennium Approaches” (part one of the play) to the fact that he has AIDS invites general sympathy and approbation, is increasingly plagued by a mysterious voice.In Act Two, the disembodied voice finally crashes through Prior’s bedroom ceiling in the form of an angel, played by Isabel...
...Millennium Approaches”—the first part of Tony Kushner’s Pulitzer Prize and Tony Award winning play “Angels in America”—has the potential to be performed either as a riveting commentary on the height of the AIDS epidemic and what it truly meant to live as a homosexual in this time, or as a sorry excuse for intertwining the clichéd dramatic motifs of death, abandonment, love, religion, and truth. Friday’s opening on the Loeb Mainstage—directed by Sara...