Word: mcconaughey
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...first frame of the 2009 summer blockbuster season saw nice guys finish first, and second. On Thursday night Hugh Jackman was on The Daily Show, Matthew McConaughey on The Tonight Show, both playing the adoring dad with anecdotes about how cute and flirtatious their young sons are. On Friday moviegoers started clogging the plexes to see these courtly musclemen in their signature roles: Jackman as a lupine superhero, McConaughey as a stud in need of fixing. (See the TIME 100: The World's Most Influential Entertainers...
...Origins: Wolverine, a prequel to three Marvel hits, with Jackman serving this time as star and producer, grossed a burly $87 million at the North American box office. McConaughey's Ghosts of Girlfriends Past earned $15.3 million. The totals nearly replicated those of last year's first May weekend, when Marvel's Iron Man took in $98.6 million to $14.8 million for the Patrick Dempsey romantic comedy Made of Honor. Shrugging off tepid reviews, Wolverine proved that Hugh is huge, movie-starwise, as long as he carries cutlery between his knuckles. In its first two days' release, it easily outperformed...
...Ghosts made a bit less in its opener than McConaughey's movies usually do, perhaps because the word was out early that it sucked swamp water, but also because another date movie had, in industry parlance, long legs. Namely, Beyoncé's. Her loving-wife-confronts-crazy-stalker-lady thriller Obsessed, last week's No. 1, finished a strong third with $12.2 million. The movie has now earned in 10 days what another musical star's solo effort, the Zac Efron 17 Again, grossed in 17; it took fourth place...
...McConaughey a movie star? Because he gets a significant number of people to pay to see him in dreck. And Ghost of Christmas Past is down there with the worst. Its deficiencies are too severe to bother tearing apart: Connor's short, charisma-deficient brother (Breckin Meyer) who comes from a totally other gene pool, if not gene planet, than his studly sib; cinematography that makes everyone except McConaughey look ugly (the same artless deglamorizing recently evident in 17 Again and State of Play); hapless guest appearances by Michael Douglas and Anne Archer, who must have wished they were back...
...film's singular stupidity is that it presents as reprehensible all those traits - smooth talk, adventurous spirit and short romantic attention span - that McConaughey's core audience loves him for. They want him to play what he seems to be: a Doctor McDreamy who makes house calls, lays gentle, knowing hands on the patient, then moves on to his next erotic appointment. Sure, his fans can imagine for a second that he will settle down with them as he does at the end of his movies with Lopez or Hudson or Parker or Garner. But he'll have to leave...