Word: matthew
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Dates: during 1960-1969
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Also: Robert G. McGahey, III; John H. McGuckin, JR.; John A. McKinnon; Richard H. Meadow; Matthew D. Miller; Peter J. Millock; Kenneth M. Minkoff; Stephen M. Morris; Thomas A. E. Moseley, III: William C. Mullen; Mark R. Nelson; Stephen A. Ness; Hugh W. Nevin, Jr.; Peter D. Nurkse; Richard N. Papper; John M. Parson...
AUNT AGATHA, THERE'S A LION UNDER THE COUCH!, by Wende and Harry Devlin (D. Van Nostrand; $3.95). Aunt Agatha and Matthew live together in a big old Victorian house. One day, Matthew says he sees a lion, and Aunt Agatha, who knows all about small boys' fantasies, gently tells him: "You laugh at it, and it becomes paler and paler until it disappears." But the lion turns out to be real-which just goes to show, muses Aunt Agatha, that "you never can tell when a little boy has something very important...
...Russians to contain a higher amount of protein. Chemical analysis of the particles suspected to be informosomes was impossible because Kafatos was dealing with such minute amounts of particles. Finally he turned to a method for testing a particle's density devised ten years ago by Harvard's Matthew Meselson, professor of Biology. Particles are placed in a centrifugal tube containing a salt gradient, a solution with various density levels. Kafatos used a centrifuge capable of creating a gravitational field 400,000 times greater than that of the earth. The particles soon settle to the level of the solution which...
...Thou shall not kill," and for the careless driver he quotes St. Thomas Aquinas' stern dictum on carelessness: "He who allows certain events to happen which result in homicide by imprudence becomes guilty in a certain manner of premeditated homicide." The author even invokes the moral logic of Matthew 5: 28-"Everyone who looks at a woman lustfully has already committed adultery with her in his heart"-as making traffic violations sinful even if no smashup results. For example, contends Renard, "the motorist who gets ready to pass another without having verified whether he can do so without danger...
Combat photography has become almost a commonplace, an adjunct to the 6 o'clock news and weather. A Face of War, though, has a rightful claim to be judged as art: it is a documentary in the great tradition begun by Civil War Photographer Matthew B. Brady when he took his cumbersome cameras to Virginia in 1861. The film's producer-director is Eugene S. Jones, a veteran television cameraman who fought with the Marines during World War II. He spent 97 days with a company of Marines in the heartland of Viet Nam. In the course...