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Word: masochists (lookup in dictionary) (lookup stats)
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...masochist says, 'Kill me!' The sadist says...

Author: By Andrea Shen, | Title: The Metaphysical Writing on the Wall (and Desks) | 12/17/1985 | See Source »

Just as a wolf attempts to escape death by baring its throat to a conqueror, the masochist offers a gesture of subservience by attempting to anticipate what an authority figure wants and rushing to comply. But this is not effective in the adult human world, because the masochist is attempting to second-guess what authority figures will do on the basis of her childhood learning...

Author: By Deborah J. Franklin, | Title: ...To Woman as Victim | 3/9/1985 | See Source »

...Shainess is proposing is unettling in a couple of ways. First, she insists that women must develop a tough self-contained autonomy to avoid being victimized, on the premise that people will victimize if they see vulnerability. Granted, one should be selective about whom one opens up to (the masochist is characterized by a need to show her vulnerabilty to everyone), but Shainess fails to show how appropriate relations of trust and intimacy have a place in the lives of non-masochistic women...

Author: By Deborah J. Franklin, | Title: ...To Woman as Victim | 3/9/1985 | See Source »

Just what kind of man would fall in love with a woman he knows he doesn't love? A masochist perhaps. Yet Swann's personality isn't reduced to such a simple formula. He is a Jewish assimile whose family's conversion to Christianity is fuel for the gossips of 19th century Paris. He is a talented dilettante always working on an unseen book, an aesthete always surrounded by beautiful objects. Yet any possible cinematic beauty is subdued in Swann's apartments. His rooms look musty, they invite select rays of sun; in short, his enviroment reflects his thoughts...

Author: By Nadine F. Pinede, | Title: Swann Song | 10/12/1984 | See Source »

With her pouty face and magnificently sleek body, Isabelle Adjani looks like a Barbie doll grown up and gone bad. At 28, she has become the divine masochist of the French cinema, playing Truffaut's Adele H., or a woman who gives birth to a monster in Possession. This time Adjani has turned on her siren to play a troubled tramp in a village in southern France. In a cartoon of lust, she sashays provocatively down the main street, shimmies at the local dance, strides naked through backyards-all because of some dreadful childhood demons that take Director Jean...

Author: /time Magazine | Title: Cinema: Rushes: Jul. 18, 1983 | 7/18/1983 | See Source »

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