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...Jennifer Butler, 19, a graduate of Wayside Union Academy who spent two years in short-term group homes before being placed in the Marlborough, Massachusetts, treatment center, says, "I'm so glad I got help. A lot of kids say, 'They stole my teenage years from me.' But I would rather be a normal adult than a normal teenager. A lot of teens see 'normal' as having a mom, dad, brother, sister and a dog. But 9 times out of 10, that doesn't become reality, just a fantasy...

Author: /time Magazine | Title: The Storm Over Orphanages | 12/12/1994 | See Source »

...while I thought history was something that bitter old men wrote. But then I realized history made Jack what he was. You must think of him as this little boy, sick so much of the time, reading in bed, reading history, reading the Knights of the Round Table, reading Marlborough. For Jack, history was full of heroes. And if it made him this way -- if it made him see the heroes -- maybe other little boys will see. Men are such a combination of good and bad. Jack had this hero idea of history, this idealistic view." And she spoke...

Author: /time Magazine | Title: Jacqueline Bouvier Kennedy Onassis: America's First Lady | 5/30/1994 | See Source »

...Central Europe nothing goes and everything matters. One remembers this when looking at the work of the Polish sculptor Magdalena Abakanowicz, who lives and works in Warsaw but whose American reputation has been growing steadily since the early '80s. Her two current New York shows -- one at the Marlborough Galleries through June 5, the other, curated by the art critic Michael Brenson, at P.S. 1 in Long Island City through June 20 -- ought to be seen by anyone who cares about today's sculpture...

Author: /time Magazine | Title: Dark Visions Of Primal Myth | 6/7/1993 | See Source »

There are small sculptures at Marlborough, Abakanowicz's hallmark figures, molded from resin-stiffened burlap. Headless and repetitious, they look "expressionist" but aren't: their true ancestors are ancient kouroi and Egyptian scribes planted on their plinths. It is amazing to see how much inward dignity Abakanowicz can give to a human figure made of cloth, and how many subtle variations she can infuse into a whole row of them. They are funereal: the wrinkled burlap reminds you of mummified skin. When Abakanowicz lines up 10, 20 or 30 more or less identical figures, as in Infantes, 1992, you think...

Author: /time Magazine | Title: Dark Visions Of Primal Myth | 6/7/1993 | See Source »

...loves series and variation. The biggest single work at Marlborough is Embryology, 1978-81 -- a whole landscape of some 600 stuffed burlap "rocks," ranging from mere pebbles to big boulders, an extraordinary array that suggests cocoons and gravid wombs as well as stones. Her chief metaphor, as Brenson (who wrote the catalogs for both shows) points out, is "the enchanted forest," which "can be traced back to animistic peoples for whom trees and forests were fearfully and delightfully alive." The tree trunk refers to, and sometimes becomes, the human torso. The "mutilated Eden" of Poland's forest turns into...

Author: /time Magazine | Title: Dark Visions Of Primal Myth | 6/7/1993 | See Source »

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