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...came off as too opaquely modern, the non-traditional use of pantomime conveyed human emotion through simple hand gestures and a variation on the miming rope trick. The strongest of the student choreography was ironically the piece that started out the weakest. “Talisman” by Marin J. D. Orlosky ’07, who is also a Crimson editor, began with choppy and un-syncopated choreography that grew more emotive, cohesive and theatrical with the crescendo of the music, the mood and the progression of the story. The best moment was when the figures convened downstage...

Author: By Mollie K. Wright, CONTRIBUTING WRITER | Title: A Modern 'Viewpointe' | 4/24/2006 | See Source »

...wonderful and exciting to produce a panel,” Larson says. “Those four artists will talk about their careers and what it was like dancing with the greats.” The panel will take place after an abbreviated matinee performance on Sunday.Student choreographers Marin J. D. Orlosky ’07, Larissa D. Koch ’08, and Sonia K. Todorova ’07 will present their work at the Friday and Saturday performances of “Viewpointe,” lending a fresh perspective on the works of the four dance...

Author: By Kyle L. K. Mcauley, CONTRIBUTING WRITER | Title: A Rare Puree of Pointe | 4/22/2006 | See Source »

Breckinridge’s investigation—with the assistance of superfluous hottie Jill Marin (“Desperate Houswives’” Eva Langoria)—leads to his old mentor, Pete Garrison (Michael Douglas), with whom he now has complicated beef. Garrison heads the First Lady’s (the still hot Kim Bassinger) security detail—when he’s not schtuping her, of course. Could Garrison have been framed...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: The Sentinel | 4/19/2006 | See Source »

...Johnson throws in tricks to make the suspension-of-belief easier: he makes sure to scan over the protester outside the White House who has been there since the ’70s, and has Marin wear more conservative clothing as she gets more used...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: The Sentinel | 4/19/2006 | See Source »

...strains of No Smoking Orchestra’s “Bubamara” played in the background, giving the dancers’ aggressive posturing a cartoonish quality. The standout performance of the evening was “Shelter,” a solo piece choreographed and performed by Marin J.D. Orlosky ’07, also a Crimson editor. Floating onstage in a rustic muslin skirt, Orlosky launched into a rapturous sequence of leaps and turns against a backdrop the color of the dawning sun. Antja Davelcot’s plaintive country-western ballad “Ravenland?...

Author: By Bernard L. Parham, CRIMSON STAFF WRITER | Title: ‘Dancical Werks’ Captures the Mood | 4/17/2006 | See Source »

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