Word: maligned
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Dates: during 1980-1989
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Michael Pillsbury responds to his critics with a spirited defense of congressional oversight. "They continually malign 'renegades' who come up and work for the Senate," he says of Armacost and others in the Administration. "What they are really saying is they don't want a Senate...
Escapees from presidential Administrations have been publishing insider memoirs since Andrew Jackson's time, but never with such haste and malign glee. Traditionally such books were more concerned with the virtues of policy than the vagaries of personality. Rarely were they published while a President was in office. Moreover, the archetypal insider stories were more kiss than tell: most, such as the spate of Roosevelt and Kennedy books, were unabashed hagiographies...
...central figures in this roundelay are a bewitchingly malign marquise (Lindsay Duncan), a good woman tempted to self-betrayal by love (Suzanne Burden), a virgin eager to surrender to ecstasy (Beatie Edney) and the highborn roue who is their sequential wooer (Alan Rickman). The essence of the roue's sexual appeal is a chilly, offhand disinterest. Neither kind nor attentive nor particularly virile, he does not so much inspire devotion as command it; he does not so much arouse ardor as compel his victims to confront their suppressed sexuality. He believes all virtue is fraud, and he delights in destroying...
...SATURDAY, a 30-foot hand will reach into the sky over the anniversary-closing Stadium Celebration and sign the name of Class of 1754 member John Hancock in fireworks-illuminated letters big enough for Prince Charles to see without his spectacles. After, some will malign the excesses of Harvard's frothy sesquitercentenary, taking potshots at the fireworks and the mylar balloons that spanned the Charles last night...
...American (Anthony Heald) has failed to sort out the conflicting impulses of his roles as observer, returning revolutionary, reunited friend and working journalist. His former cellmate (Joe Urla) pecks away at poetry but works primarily for a malign, fanatical government minister. In rich and subtle performances, the opponents lacerate each other with unwelcome truths as they strive to rekindle affection. Then, in a finely calibrated and powerful final scene that shifts back to 1970, at what the two believed would be the hour of their death, Nelson makes their antagonism all the sadder. As they quake, bound and blindfolded...