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Rough Drafts. "He copies nature with his soul," wrote a French critic in 1857 of Daubigny. Unlike his forerunners, Claude Lorrain and Nicolas Poussin, the gentle naturalist looked more to the effects of nature than to rearranging its contours into earthen architecture. He and his Barbizon mates abandoned the brown studies of strong lights and darks that the Dutch masters used to dramatize thickets and glades that never existed outside their minds. Instead, Daubigny sketched directly from nature, in the volatile light and weather of the moment...

Author: /time Magazine | Title: Art: Father of Impressionism | 5/15/1964 | See Source »

...Flemish sculpture called Lamentation over the Body of the Dead Christ that was carved after a design by Rogier van der Weyden and for centuries belonged to the Dukes of Arenberg. The Cleveland Art Museum's acquisitions in the old master class range from a landscape by Claude Lorrain through a newly discovered drawing by Rembrandt to a sweeping view by Canaletto of Venice's Piazza San Marco...

Author: /time Magazine | Title: Art: From the Dwindling Supply | 11/23/1962 | See Source »

...duke scored a coup by buying more than 200 drawings from the collection of Nicolaes Flinck, the son of a Rembrandt pupil. He also beat out Louis XIV in purchasing a volume of drawings that the French Landscape Painter Claude Lorrain had done as a record of his own paintings...

Author: /time Magazine | Title: Art: Grace Notes | 10/26/1962 | See Source »

...Nain contemporary, the onetime pastry cook Claude Lorrain, was a classicist, but he followed a far different path than Poussin took. He was less interested in ideas or subject matter than in the wonders that nature poured out all around him. He was the first Frenchman to paint similar scenes at different times of day, the first to record the fickle moods of light. His Seaport is as well ordered as a classical painting should be, but there is a quiet sadness about the yellow daylight and a heavy loneliness about the dancing...

Author: /time Magazine | Title: Art: The Splendid Century | 1/20/1961 | See Source »

Portraitist's Protest. By the time Lorrain died in Rome in 1682, all France had become the servant of Louis XIV, then halfway through his 72-year reign. The function of the artist was to glorify the Sun King, often as a Roman emperor or a god; and the King had his own esthetic dictator to see that this was done...

Author: /time Magazine | Title: Art: The Splendid Century | 1/20/1961 | See Source »

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