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Twenty minutes into the press screening of Stage Beauty, British stage director Richard Eyre’s dramatic romp through the gender politics of 17th century theater, the film reel—quite literally??burned up. But the twenty-minute pause required for repairs was hardly a change of pace. The film suffers from a haphazard and disorganized structure; the shaky cinematography is positively migraine-inducing; and the “mood” lighting simply worked to obscure any attempt to discern what was happening...

Author: NO WRITER ATTRIBUTED | Title: Film Reviews | 10/22/2004 | See Source »

...moment is what we should all be seeking out of life. Not literally??we’ve all probably pulled enough all-nighters over the last four years to have done irreparable damage to our health. Instead, we should be striving towards what the 5 a.m. moment represents: that instance when you realize you are giving it all for some pursuit—whether it be work, family, friends or personal reflection—that is higher than the mundane requirements of daily life...

Author: By Kate L. Rakoczy, | Title: The 5 A.M. Moment | 6/9/2004 | See Source »

BOSTON, Mass.—The Harvard men’s basketball team finished its game at Boston University last night with a 5-0 run. It would have needed a run 10 times that big—literally??just to take the lead...

Author: By Alan G. Ginsberg, SPECIAL TO THE CRIMSON | Title: Men's Hoops Hits Rock Bottom | 12/10/2003 | See Source »

...Yale’s biggest weapon—literally??is its tight end, senior Nate Lawrie. Listed at 6’7 and weighing in at 256 pounds, Murphy calls him “an NFL prospect.” It will be a tall task, indeed, for Harvard’s undersized secondary to stay with Lawrie, who leads the team in catches (64) and receiving yards (678) on the year. Harvard could not handle Dartmouth senior tight end Casey Cramer when the Big Green knocked off the Crimson on November 1. If Yale uses Lawrie...

Author: By Alex M. Sherman, CRIMSON STAFF WRITER | Title: The Battlefield | 11/21/2003 | See Source »

Mainstream Hollywood was not built from risky business but from safe investments. All the acting and directing talent is nothing without opportunities to display it. This is Lin’s distinctly pragmatic view of the film industry, understandable since he couldn’t afford—literally??to be idealistic...

Author: By Tiffany I. Hsieh, CRIMSON STAFF WRITER | Title: Lucky 'Tomorrow' | 4/11/2003 | See Source »

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