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...reverence for the work, which the audience did not expect to feel. The first movement was played slowly, almost ponderously, but with careful pacing and calm control so that it moved with inexorable continuity. At the movement's highpoint, Lefkowitz displayed dazzling virtuosity in the intertwining, unbelievably intricate Kreisler cadenza. The audience was fascinated and broke into applause after the first movement. The third movement Rondo picked up a light, Viennese lilt that occasionally became reminiscent of a Bohemian dance. The orchestral exposition of the Concerto, which opens so sweetly and delicately, was meek and hesitant. But by the Rondo...

Author: By Karen Hsiao, | Title: Many Happy Returns | 12/17/1974 | See Source »

Noriko Kozai, violinist, in recital. Works of Franck, Mozart, Kreisler, Sarasate. Free. Wednesday, March...

Author: NO WRITER ATTRIBUTED | Title: Classical | 3/21/1974 | See Source »

...among the big programs; the HRO's concerto-contest winner (playing Liszt!) on Friday; and the Choir's Monteverdi Vespers on Sunday night. Both Eliot and Mather Houses are sponsoring first-rate chamber music. And even the Music Department is in on things: with a violinist who dares play Kreisler and Sarasate in Paine Hall! --Kenneth Hoffman...

Author: NO WRITER ATTRIBUTED | Title: Classical | 3/21/1974 | See Source »

...release from RCA makes amends handsomely, if belatedly. The set contains, for example, not just the famous recording of the Second Concerto made with Leopold Stokowski and the Philadelphia Orchestra in 1929 but also another version with the same performers from 1924. Then there is Rachmaninoff partnering Fritz Kreisler in a fancy-free performance of Beethoven's Violin Sonata in G, Op. 30, No. 3 (1928). There is a stupendous performance of Beethoven's 32 Variations in C Minor, which might well have been retitled 26 Variations since Rachmaninoff omitted variations 15-18, 20 and 21 to squeeze...

Author: /time Magazine | Title: Music: Sergei the Somber | 1/14/1974 | See Source »

Nobody is allowed here who has not already shown talent and promise. Still, it is hard not to be nervous. Autographed portraits of Kreisler, Szigeti, Milstein-all good friends of Galamian's -glare down from the walls. The air seems to tingle with his awesome reputation in the violin world. Isaac Stern calls him "the most effective violin teacher in the country," and he certainly has the alumni to prove it. Most of the brightest young soloists in the U.S. are Galamian products; Itzhak Perlman, Young Uck Kim, Jaime Laredo, Paul Zukofsky and James Oliver Buswell IV. In addition...

Author: /time Magazine | Title: Violinists: Cry Now, Play Later | 12/6/1968 | See Source »

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