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...None did so more persistently and penetratingly than Samuel Beckett, the Irish-born writer whose death was revealed last week in his adopted city, Paris, where for decades he lived in an apartment overlooking the exercise yard of a prison. In such plays as Waiting for Godot, Endgame and Krapp's Last Tape; in novels, including Molloy, Malone Dies and The Unnamable; in verse and essays and the script for a wordless Buster Keaton film, Beckett distilled despair...

Author: /time Magazine | Title: Samuel Beckett: 1906-1989: Giving Birth Astride of a Grave | 1/8/1990 | See Source »

Through the '40s, Beckett kept writing, shifting, for reasons he never explained, from English to French as the language in which he created. He remained obscure until a spectacular burst from 1951 to 1953, in which Godot and three novels appeared to acclaim. The plays Endgame, Krapp's Last Tape and Happy Days followed by 1960. Thereafter he produced fewer and fewer, shorter and shorter, bleaker and bleaker pieces but never quite lapsed into the ultimate despair of artistic silence. His last work, Stirrings Still, a fiction of less than 2,000 words, was published in March...

Author: /time Magazine | Title: Samuel Beckett: 1906-1989: Giving Birth Astride of a Grave | 1/8/1990 | See Source »

...motorcycle; in London. Schneider was noted for his exacting fidelity to even the most complex script, as he worked to transmit the inner truth of a play rather than impose on it any other vision. He crusaded particularly for Beckett, and his productions of Waiting for Godot, Endgame and Krapp's Last Tape, among others, profoundly influenced the course of modern theater. Also closely associated with Albee, Schneider won a 1962 Tony Award for directing Who's Afraid of Virginia Woolf? Throughout his career, he resisted any single approach to theater, alternating between commercial and workshop projects, Broadway...

Author: /time Magazine | Title: Milestones: May 14, 1984 | 5/14/1984 | See Source »

...KRAPP'S LAST VIDEO...

Author: /time Magazine | Title: Sing a Song of Seeing | 12/26/1983 | See Source »

Imagine some intrepid young director mounting a revved-up revival of Samuel Beckett's classic, with the scrofulous Krapp wheezing his memoirs onto videotape. It is a daunting prospect, but not perhaps (discounting the good taste of the author's literary agents) an entirely unlikely one. Video has already reached the stage, in Beatlemania for example, but it is practically inundating Hollywood...

Author: /time Magazine | Title: Sing a Song of Seeing | 12/26/1983 | See Source »

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