Word: kathryn
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...want still more booty, he may well reap gold, in the form of statuettes for Best Picture and Best Director, on Oscar night. At the Hollywood Foreign Press Association's Golden Globe Awards on Jan. 17, Cameron was a semisurprise winner as Best Director, besting his ex-wife Kathryn Bigelow, who was nominated for The Hurt Locker. That exemplary Iraq war drama, which won most of the critics' awards, earned just $12.7 million in its domestic release and $3.4 million abroad, for a worldwide total of $16.1 million - less than Avatar amassed at the North American box office last night...
...actors' awards are split into Comedy/Musical and Drama.) Best Supporting Actor: Christoph Waltz, Inglourious Basterds. Best Supporting Actress: Mo'Nique, Precious: Based on the Novel "Push" by Sapphire. Only in the Picture and Director categories did the two groups disagree. The Broadcast Critics gave those awards to Kathryn Bigelow, and her Iraq bomb-squad drama The Hurt Locker, while the HFPA cited Cameron, Bigelow's ex-husband, and Avatar. "Frankly, I thought Kathryn was gonna get this," Cameron generously said at the Globes. "And she richly deserves it." (See the best movies of the past decade...
Fifteen minutes into the period, the Crimson got on the scoreboard. Co-captain Kathryn Farni fed a pass to junior Liza Ryabkina, who put a shot on goal. Although Colgate goalie Lisa Plenderleith stopped the initial shot, Ryabkina picked up her own rebound, skated around the net, and lifted her second shot into the high left corner...
...second, co-captain Kathryn Farni let a shot rip from the point that bounced hard off the glass behind the net. McDonald picked up the puck and pounded in her second goal of the night...
...dangerous blind date. That's been the movie norm, from the Bela Lugosi Dracula in 1931 to today's Twilight saga. But there's another view of the tradition, an alterna-vamp, that begins with the first important horror movie, F.W. Murnau's Nosferatu, and was touched on in Kathryn Bigelow's Near Dark and the Francis Coppola Dracula. It's the vampire as pure predator, a gaunt, subhuman pestilence, the ultimate parasite whose host is the rest of us. Nothing sexy about these creatures, or their act of feasting on our blood. They walk and talk like real people...