Word: kanter
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Even with this assurance, some ESPP concentrators say they remain skeptical that the concentration would adequately replace the course. Elizabeth L. Kanter '99, an ESPP concentrator who took the seminar last year, said it would be difficult to create an equivalent class...
...contrast to Harvard's myriad theatrical productions, concerts and coffee-house-readings, there is a distinct paucity of visual art mounted by students for public display. An anomaly in the Harvard art world, the exhibition of student work by Elizabeth Lakshmi Kanter '99 in Eliot Basement reaches a caliber of aesthetic quality sure to inspire an increase in independent student showings. Comprised of work by six student artists, the intense subject matter of "Departures, Losses, Separations", is well suited to the intimate exhibit space of the basement-turned-gallery...
While the same themes of loss and separation are inherent to each student's work, their treatment and interpretation of the subject span a broad spectrum. The idea for the show was borne of a traumatic experience in Kanter's life during the summer of 1998 when her mother died of cancer. Her selections for the show were a direct representation of her loss: a candid family shot of her healthy mother beside 8x10 black and white photos of a frailer, weakened mother in a wheel chair. Dealing with separations and losses was one of the primary objectives...
...work of Javier Mixco '99 overlaps thematically with Kanter's in its exploration of the pain and ramifications of physical loss. Covering an overnight shift in the Massachusetts's General Hospital emergency room, Mixco captured the physical manifestation of loss with several disturbing but brilliant shots. The sterility of Mixco's black and white media lends his work a quiet remove that is strikingly juxtaposed with scattered syringes, rubber gloves and wrappers of ER mayhem. Mixco, who plans to attend medical school in the future, beautifully mingled his artistic and technical sensibilities with wires emerging from the vein...
These male perceptions of the women they work with were first identified in 1977 by Rosabeth Moss Kanter in her pioneering work Men and Women of the Corporation. Her descriptions often still hold; they are confirmed by the women themselves. We have the stories, the surveys and the numbers. If our woman has neared the top in the FORTUNE 500, our research tells us she is probably a staff officer. If she is a top earner, she is one of 63 women...