Word: jukebox
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There he is, in vivid black and white, onstage at Las Vegas' new Aria hotel-casino, squalling "Blue Suede Shoes" on a gigantic screen behind a jukebox-shaped set. Below him, eight musicians serve as his amped-up house band while a dozen dancers practically leap out of their tight pants and pedal pushers. At center stage is a huge shoe, which another half-dozen revelers use as a trampoline, performing double somersaults in time to the music. The King looks down, smiling as if in approval of this spectacular union of two crucial elements--one past, one present...
...next “Mamma Mia!,” only less Swedish and more sparkly. A jukebox musical inspired by Lady Gaga’s oeuvre would have audiences dancing in the aisles—and leaving the theater completely horrified. A three minute Lady Gaga award show performance alone is enough to inspire shock and awe. Imagine two hours of fake blood, bizarre costumes, and over-the-top stunts. Even Boy George’s “Taboo” would look tame by comparison...
Pablo Francisco is an eclectic impressionist, human jukebox, and stand-up comedian. Best known for his parody of movie previews, Francisco has a knack for imitating everyone from Jackie Chan to Kermit the Frog—except, according to the comedian, for one man. “Everyone can do a Christopher Walken, but mine just sounds like a Jewish deli lady,” he quips. Returning from a tour across Europe, Francisco will be performing at the Wilbur Theatre in Boston on November...
Moverman underscores the perpetual untimeliness of death in day-to-day life. The brief and rare use of music is entirely diegetic, stemming only from sources within the scenes, such as a barroom jukebox or a beaten-up car stereo. Montgomery’s first somber exchange with Stone, for example, is set to a cheery Beach Boys tune. The movie also resists the impulse to tailor the style of scenes to their emotional underpinnings; in one scene, a woman discovers that her husband has died on the sunniest, most peaceful of early fall days. With a careful hand...
...Born before the first commercial radio stations went on the air, Harvey fashioned a personality and career that spanned the medium's Golden Age, its postwar retreat into a pop jukebox and its later resurgence as the place for news and talk - exactly what Harvey did for more than 75 years. He spoke with clarion clarity, his voice an elocution teacher's pride, easily parodied but intimate, powerful and oh-so-precise. It was "nee-ews," never the lazy "nooze," and "reck-ord," not "reckerd." For emphasis, he'd add a vowel to a word with abutting consonants...