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Word: john (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...night when the greatest number of TV sets are in use. With the powerhouse 60 Minutes as a lead-in, such tired CBS sitcoms as Archie Bunker's Place, One Day at a Time, Alice and The Jeffersons are consistently near the top of the Nielsens. Trapper John, M.D., a dim hospital drama, is the season's biggest new hit, mainly because it caps CBS's winning Sunday lineup. CBS has shown other new signs of life: modestly successful shows like Dallas, WKRP in Cincinnati and The Dukes of Hazzard have started to build big audiences...

Author: /time Magazine | Title: Television: Sweeps Stakes | 12/17/1979 | See Source »

...animated by excess, insists on, and receives, a response in kind. Who audiences are some of the most fiercely loyal, and some of the wildest, in rock. Abandon is the aim, and to reach that The Who acts in concert with the audience; "They bring you alive," as John Entwistle, the bass player, puts it. The excess they want, group and fans together, is a release, an explosive culmination of energy, a detonation of good will and great music. "Rock's always been demanding," says Pete Townshend, who writes most Who songs. "It is demanding of its performers...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

Entwistle and his wife Alison have been married for twelve years, have one son, Christopher Alexander John, and spend most of their time in a house on the edge of London. They also own an establishment in Gloucestershire consisting of eight houses spread over 52 acres. Entwistle's songs, which are like nightshade valentines, show up on Who albums often as a kind of bleakly bemused counterpoint to Townshend's. He is also a skilled caricaturist and is now drawing A Cartoon History of The Who. In this work, Entwistle made up imaginary ancestors for each of the band members...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

...fans that, since the group's beginning, it has always lived at the outer limits of rock. That is the dangerous borderland where the best rock music is made, the music that lasts and makes a difference. Elvis Presley lived there. So still do Chuck Berry and John Lennon, Van Morrison and Bob Dylan and Bruce Springsteen. Buddy Holly, Sam Cooke and Jimi Hendrix died there. And The Who has taken up permanent residence. The danger that pervades this territory is not a matter of threat, but a kind of proud, blind, spiritual recklessness, forming a musical brotherhood that could...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

...know what had happened at the west gate, would not sit still for a cancellation. So The Who played its standard two-hour set, and were then instructed to keep the encore short. When the four came offstage, Curbishley told them the news. Kenny Jones slumped against a wall. John Entwistle tried to light a cigarette, which shredded in his shaking hands. Roger Daltrey began to cry. Pete Townshend went ashen quiet. Daltrey thought the whole tour should be canceled. Then Townshend spoke up. He said, "If we don't play tomorrow, we'll never play again...

Author: /time Magazine | Title: Music: The Stampede to Tragedy | 12/17/1979 | See Source »

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