Word: jean
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Dates: during 1950-1959
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...adapted for the movies by Jean-Paul Sartre, the Salem witch trials emerge as a plot by the aristocracy to chastize and control the stiff-necked rabble of the town. Thus, in the movie version, Proctor chooses to die for a cause rather than to preserve his own integrity. This distortion, coupled with an over-simplification of the motives of each character, considerably lessens the dramatic power of Miller's play...
...personable Ago Khan, 22, was fresh out of prospective begums, at least as far as anyone in the gossip mills knew. One of his brightest flames, Sylvia Casablancas, 19, daughter of Mexican Moneybags Fernando Casablancas, disclosed that summer had brought her a love match with handsome French Tennistar Jean-Noel Grinda, 22. That still left the Aga linked with pretty Tracy Pelissier, 18, stepdaughter of British Moviemaker Sir Carol Reed, and the Aga's house guest in Cannes for a spell last summer. Tracy's mother spiked any thoughts of serious romance most effectively last week: she announced...
...layer, syphilitic, illiterate, and obsessed by dark fantasies of power and gods. He had been married, divorced, had remarried the same woman and been divorced again. He had cowed his daughter Zelda with abuse and with ugly accusations of promiscuity. He had fathered a son by his stepdaughter Betty Jean, who had run away in fear and shame. And in all the world-in some tormented way-he loved only the memory of Betty Jean and their son Dusty...
...Mayer's head dressmaker for a dozen years, husband of Hollywood's first Oscar-winning actress, Janet Gaynor (Seventh Heaven); of a stroke; in Hollywood. For more than a decade Adrian set the pace for women's fashions across the U.S. and even to Paris, made Jean Harlow, Katherine Hepburn and Norma Shearer look like haute couture models, put Greta Garbo in sequined slacks. Lynn Fontanne in a white organdy bow that started a national fad, released Joan Crawford from a movie prison in a little basic black dress that any right-thinking woman would have given...
Eighteenth Century Recorder Music (The Recorder Consort; Classic Editions). Charming, lively chamber works by Alessandro Scarlatti, Jean-Baptiste Loeillet (1680-1730), Georg Philipp Telemann (1681-1767) and Bach, proving that the flutelike recorder, usually belittled as an amateur's instrument, can be as stimulating a voice as any woodwind...