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...Stalinism and counseled Democratic candidates until he joined the John F. Kennedy’s administration as an adviser (his work was expansive and never clearly defined). He won his second Pulitzer Prize—the first had come in 1946 for “The Age of Jackson??—for the biographical “A Thousand Days: John F. Kennedy in The White House...

Author: By Samuel P. Jacobs, CRIMSON STAFF WRITER | Title: Arthur M. Schlesinger Jr. ’38 | 6/6/2007 | See Source »

...growing up in Memphis, and only decided that he wanted to learn to dance during his junior year of high school. “I started out just watching music videos,” he says. “Anything I could look at—Usher, Ginuwine, Michael Jackson??because I didn’t know how to dance. And a lot of people can just be fine with that, but for me, I wanted to know something.”Intending to continue running track at Harvard, Oladehin auditioned for the Freshman Talent Show...

Author: By Alison S. Cohn, CRIMSON STAFF WRITER | Title: Olakunle O. Oladehin '07 | 5/2/2007 | See Source »

Radio in its most conventional form is dying. It’s due in part to more strict FCC rules regarding what can and can’t be said on American airwaves, an agenda that hit its stride in the aftermath of Janet Jackson??s Super Bowl “slip” three years ago. It’s the reason why Howard Stern now resides rather peacefully on Sirius Satellite radio, free from the firestorm that followed him during his days on syndicated broadcast radio...

Author: By Malcom A. Glenn | Title: Low-Frequency Issues | 4/17/2007 | See Source »

...gone from shielding children’s eyes from the awfulness of Jerry Springer during its prime in the late 1990s to a campaign against violent video games to the famed censorship crusade of former Federal Communications Commission (FCC) chairman Michael Powell in the aftermath of Janet Jackson??s Super Bowl “incident” three years ago to decrying “Heroes,” “Lost,” and “Prison Break...

Author: By Malcom A. Glenn | Title: Love It, or Leave It Alone | 4/2/2007 | See Source »

...Lord of the Rings”-esque orchestral fare and low-budget modern rock; he fails on both fronts. The soundtrack lends little to the emotion and action of the film. This brings up another core problem: “300” lifts a lot from Peter Jackson??s trilogy—and is about as historically accurate. Understandably, any film following the “Lord of the Rings” might look to it for inspiration, due to its immense commercial success. But I never expected to run into Gollum again. Or the cave troll...

Author: By John D. Selig, CONTRIBUTING WRITER | Title: 300 | 3/8/2007 | See Source »

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