Word: italians
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Dates: during 1970-1979
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...Orleans is a conservative town, its bankers an inbred bunch who do not cotton to outsiders. And, as Canizaro remarks, "for many years New Orleans was not pro-Italian." He put a $5,000 deposit on a downtown plot, then tried to borrow more to buy it. "There was enough income coming in from the property to service the debt if only somebody would lend me the money." The Establishment would not. Finally, he found a small bank to make the loan, and he started prospering. Canizaro...
...battle is also raging in East Cambridge, where incumbents Alfred E. Vellucci and Frisoli are facing a strong challenge from Bentubo. Frisoli doesn't live in the Italian East Cambridge, but his ties with the Frisoli-Deguglielmo political clan won him support there two years ago. Vellucci, a 30-year fixture in city government, wins each election with the backing of a large personal network. But Bentubo is putting the pressure on. The owner of Richard's Arco has poured more than $5000, much of it from family members, into the campaign, and his posters and placards blanket (and litter...
...ever earned there in a final election. He took Hyde Park this fall with the same number of votes that resulted in his losing the ward to Timilty in 1975. The mayor continues to have nearly unanimous support in the black and liberal wards and solid backing in Italian East Boston...
...obnoxious, teen-aged son (Matthew Barry) and a pathetic, ancient husband who's efficiently knocked off in the opening sequence. Dad dead, it's off to sunny Italy for Caterina and Joey. The obligatory opening night sequence is filled with lots of American extras running about trying to look Italian by wildly gesticulating and screaming 'Brava, Brava.' Bertolucci also drags out an antiquated collection of cliches about opera and its fans. His women parade about a la Gertrude Stein and partake of lesbian love with decadent Italian countesses. His men lisp on about 'darlin' Caterina and swish about backstage...
Joey of course, deserted by his famous mother, has taken to heroin and discovered the joys of sex with a pudgy little Italian girl. Mom finds out and for the next two hours Luna repeats a tiresome pattern of hit, scream, claw and shoot-up until the end mercifully arrives. The operatic finale in which all problems find their resolution through song makes the Sound of Music appear profound...