Word: italian
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Dates: during 1950-1959
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Most of today's young Europeans prefer the same drinks, dances and music. When French teen-agers began wearing black stockings, it was not long before Oxford undergraduettes and Düsseldorf schoolgirls were sable-calved too. German youth has developed a taste for soft French and Italian cheeses. And all over Western Europe this summer, the popular song was Petite Fleur-composed by a New Orleans clarinetist, recorded by a British jazz band, and bestselling in Germany...
Mesmeric Effect. Singer Montand was born Yvo Livi, the son of an Italian broommaker. Fleeing Mussolini's Blackshirts, the family settled in the harbor district of Marseille, where Yves quit school to become successively a waiter, bartender, factory worker and hairdresser. His evenings he spent at the movies watching his idols-Fred Astaire, Maurice Chevalier, Charles Trenet; by the time he was 18, he was doing imitations of all three in suburban flea pits. The transition from provincial hoofer to Parisian headliner began in 1944 when Montand, newly arrived in Paris, happened to appear on a theater bill with...
...like Moore's women without the womanliness; they are more like analytical geometry than like people. More powerful are the forged iron abstractions of Italy's Francesco Somaini, at 33 a newcomer to the big time, who won the prize for the best foreign sculptor. Rough, inelegant for an Italian, Somaini produces work resembling meteorites and mountains, full of energy but at the same time monumental...
...encouraging to the Gluecks to find that although the SPT was compiled on the basis of underprivileged Boston boys largely of English, Italian, and Irish descent and of Protestant and Catholic religions, it operated so well on a sample of New York Jewish boys...
Included in the program were German Composer Hans Werner Henze's atonal, heavily percussioned fairy tale, The Emperor's Nightingale; Polish-born Composer Alexander Tansman's Stravinsky-flavored exercise, New Clothes for the King; Italian Composer Nino Rota's The Cunning Squirrel. All three were hits. Henze's work, in particular, won a shrill, twelve-minute ovation. But defenders of the moppets' taste were badly shaken when Carlo Franci's Final Comedy and Giorgio Ghedini's Girotondo-both tricked up with flung pies, flying paintpots and banana-peel pratfalls-seemed to touch...