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Word: italian (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Proceeds from the performance will go to the Circolo's Scholarship Fund, and will be used to establish a prize for the best paper or thesis written on the subject of Itale-American relations by a student in an Italian university...

Author: NO WRITER ATTRIBUTED | Title: Circolo Italiano, Glee Club to Hold Concert | 12/10/1949 | See Source »

...directed by William F. Russell. Other artists include Jean-Pierre Barricelli '45, 3G, Howard Brown '51, Caterina Beer-Fornario, Ruth Gallagher '49, Anthony A. Giarraputo '50, Andrew M. Hoath '50, and Cynthia Lloyd '50, The program includes Renaissance metots and madrigals, 17th century music for the harp, Bach's Italian Concerto, da Vinci's Fluto Sonata, arias by Mozart, Puccini, Vordi and Donaudy, and a Fantasia Russa for piano composed for this occasion by Jean-Pierre Barricelli...

Author: NO WRITER ATTRIBUTED | Title: Circolo Italiano, Glee Club to Hold Concert | 12/10/1949 | See Source »

...word "Razzia" is Italian for "police raid" and came into accepted usage in many European countries shortly after...

Author: NO WRITER ATTRIBUTED | Title: Verein Turmwaechter Will Present 'Razzia' | 12/7/1949 | See Source »

Married. Sylvia Gould, 31, great-granddaughter of Jay ("Robber Baron") Gould who piled up one of the first great U.S. fortunes as a Civil War speculator and railroad tycoon, daughter of a onetime Italian governess in the Gould family; and Lieut. Commander (U.S.N.) Ernst Hoefer Jr., 29, of Sheboygan, Wis.; she for the third time, he for the first; after a false start two months ago when she broke the engagement on grounds that he refused to sign away dower rights to her estate; in Seager...

Author: /time Magazine | Title: Milestones, Dec. 5, 1949 | 12/5/1949 | See Source »

...newfangled techniques which Director Rossen seems to have borrowed from the modern Italian directors have given the movie vitality and power. Since it was shot outdoors in all sorts of weather, the film credibly suggests the passing of time simply because no two scenes show the same sky or lighting. The camera, often threading through Stark's career like a fond mamma looking for her child in a crowd, turns up all kinds of unpredictable and realistic touches. Occasionally, Director Rossen plunges spiritedly into a scene as though, in the Rossellini manner, he were making up the script...

Author: /time Magazine | Title: The New Pictures, Dec. 5, 1949 | 12/5/1949 | See Source »

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