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...slate grey and brown, only interrupted for several disconcertingly Technicolor hallucinatory sequences. Scorsese has ever been a master of setting the tone—see, for example, the perfectly balanced grime and gaudiness of “Goodfellas”—and “Shutter Island?? is no exception...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Shutter Island | 2/23/2010 | See Source »

...mould these disparate elements around a central narrative. And this is where the film runs into trouble. The movie is based on Dennis Lehane’s novel which should have served as fertile ground for Scorsese to build a genre classic on, but instead “Shutter Island?? stumbles into a forest of clichés. The first warning sign comes when the captain of DiCaprio’s ferry to the island requests that the marshals make their way ashore quickly. Asked why, he glances at the roiling grey sky and pronounces...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Shutter Island | 2/23/2010 | See Source »

...that remains, then, is that final twist, the one guaranteed component of any film of this genre. “Shutter Island?? pulls it off convincingly, in a heart-wrenching though overlong series of revelations which will leave even the most prepared audience members reeling...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Shutter Island | 2/23/2010 | See Source »

...isn’t enough. As a pure-and-simple psychological thriller, “Shutter Island?? should be lauded. It has all the necessary ingredients: a consistently dark tone, emotionally powerful reveals, and mind-bending twists aplenty. And from any other director, that might be enough to satisfy. But from Martin Scorsese, we have come to expect something more. We expect a coherent and thought-provoking message. We expect great ideas, new innovations, broken boundaries. We expect, in short, a film that is different, one that will stay with us well past the final fade-to-black...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Shutter Island | 2/23/2010 | See Source »

...Boston, as a result of a tax break for films, is kind of crazy. It’s become this huge haven for feature films,” said Horovitz. Martin Scorsese’s “The Departed” and “Shutter Island?? are two such films shot in Boston since the tax credit...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

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