Word: instrumentalists
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Dates: during 1960-1969
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...INSTRUMENTALISTS. Of the 1,213 instrumental soloists Schwann lists, most are pianists (452), but curiosity seekers may dig out the name of Bruno Hoffman-the one and only glass harmonica virtuoso. Along with lonely exponents of the virginal, the psaltery and the oboe d'amore, there are 166 violinists, 88 organists, 73 harpsichordists, 64 flautists and 56 cellists listed, each count a statistical gain over 1960. Walter Gieseking and Sviatoslav Richter are the leading pianists, with 46 recordings each; Richter had only 19 three years ago, and, having made the biggest jump of any instrumentalist, he is now being...
...started holding auditions and putting the bite on his friends for contributions. He listened to a total of 200 young instrumentalists in his penthouse on Manhattan's Fifth Avenue, hired the outstanding performers and put the rest on a waiting list. To fill out the orchestra with more experienced players, Stokowski consulted what is probably the most extensive talent file in all music: his own loose-leaf notebook in which he has evaluated every instrumentalist and singer who has ever performed with him-about 1,700 of them...
Presumably the orchestra has improved since it was first founded four years ago; Mr. Victor Manusevitch, the conductor, walked into the first rehearsal with the score of Mendelssohn's Italian Symphony under his arm to find himself the director of 20 instrumentalist, eight of them flautists. Now, at any rate, the orchestra has at least one of everything and a respectable number of string players. Unfortunately, most of them should have never have been let in sight of any orchestra: the woodwinds, en bloc, refused to stay in tune with the rest of the orchestra; not that one was often...
Just a Hobby. Scherbaum sailed through the Brandenburg No. 2 last week as if it were as simple as Au Clair de la Lune. Nonchalantly placing his weight on one leg, the egg-shaped instrumentalist blew through the intricacies of the high coloratura with characteristic ease; he blasted a final, full-volume flourish that brought an audible gasp from the audience. Chances are that he could have gone through the whole piece with his eyes shut: he has recorded the concerto for 14 different labels, has become so thoroughly identified with it that in Western and Eastern Europe alike...
...other composers whose New Music was performed included the German, Karlheinz Stockhausen, whose recent Zyklus for one percussionist appeared on the first half of the program. Designed to combine "the elements of free and determinate performances," Stock-hausen has given his instrumentalist sixteen pages of music which he may play in any order he chooses. Not having heard the work before, I found it difficult to determine whether the choice of the percussionist, Alain Jacquet, was a felicitous one. Zyklus was followed by Bruno Moderna's Musica su duo dimenzione, a dialogue for flute and stereo tape. The tape inedium...