Word: instrumental
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Dates: during 1960-1969
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JEAN-LUC PONTY, ELECTRIC CONNECTION (World Pacific). Ponty not only plays violin, an unusual instrument in jazz, but he produces streaking arpeggios and comet trails of bent tones with a Coltranian intensity. This album, recorded with Gerald Wilson's orchestra when Ponty visited California last spring, should be enough to convince anyone that the violin can be a stirringly soulful jazz-solo voice. Classically trained, Ponty wails, shrills and sails through Hypomode de Sol, The Name of the Game and Scarborough Fair-Canticle...
...administration's virtually irrelevant roommate request form, I was half through a second tortured reading of The Sound and the Fury. No, I told my parents, I don't care what race he belongs to, or what religion he practices, or whether or not he plays a musical instrument. In fact, I think I'd even like a Southerner! Harvard responded with an irony far less than poetic. For Pat turned out to be no Quentin Compson...
...with stories of godlike visitors from the sky, riding in fiery chariots or on iron wings, arriving like "birds of thunder"? Indeed, the book's only illustration is drawing of an ancient stone carving found in Mexico in 1935. It looks remarkably like a figure bent over an instrument panel in a space capsule...
...clarity is its own kind of reward. Composer Elliott Carter admits that such works as his Pulitzer prize-winning Second String Quartet (1959) and the Double Concerto for Piano and Harpsichord (1961) were initially written with stereo in mind. In the dense antiphonal Double Concerto, for example, each solo instrument is set off against the other - one to a stereo channel - and each has its accompanying coterie of winds and strings. The resulting dialogue is almost Joycean in its plural textures and moment-to-moment subtleties. Recording studios also offer new technical means of composing, through such devices...
...accordion itself-inconclusive and tinged with melancholy. But the serious contestants vindicated the proceedings with disciplined and evocative efforts on behalf of composers ranging from Bach to Hans Brehme. The winner was a Russian, Valeri Petrov. His two runners-up: Fellow Countryman Anatole Senin, who alternately coaxed from his instrument both the organlike richness and wintry delicacy necessary for Bach's organ Concerto in A-Minor, and American Pam Barker, who survived the technical terrors of Khatchaturian's Piano Concerto with impressive calm...