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...execution. Harnessing the Steinway to produce a resounding bass undertone that pianists with a lighter touch so often lose, Lang beckoned us into the heat of Bartók’s chordal battle. After a virtuosic passage that unabashedly showcased the percussive capabilities and dissonant tones of the instrument, a plaintive melody, influenced by Bartók’s roots in folk music, resolved the chaos. Jerking out of this harmonic respite, Lang coaxed the coda from a steady trot of sharp staccatos into a thunderous gallop of arpeggiated exclamations. Lang transitioned flawlessly from the mad chaos...

Author: By Monica S. Liu, CONTRIBUTING WRITER | Title: Musical Genius Impresses | 3/5/2009 | See Source »

...merely attempting to patch the ailing economy, this comprehensive budget plan promises to “rebuil[d] its foundations.” Saturated with spending projections for health care, carbon-emissions caps, and education, the budget also prudently identifies funding sources, turning what may have been a blunt instrument into a refined tool. In short, the budget is another excellent step toward economic recovery...

Author: By The Crimson Staff | Title: A Budget to End All Budgets | 3/1/2009 | See Source »

...understanding one word,” says the singer. It would be difficult to emphasize lyrics when the musical space Molina creates is so heavily saturated with an array of eclectic sounds. The singer plays guitar and several keyboards, running the sounds through a pedal to loop one instrument over the next and layering synthesized percussive elements and vocal harmonies on top of everything. Though Molina is traditionally a solo act, this U.S. tour features the singer’s trio, which includes a bassist and drummer to develop the lower registers of Molina’s songs, balancing...

Author: By Jessica M. Righthand, CRIMSON STAFF WRITER | Title: Molina Brings Eclectic Style to Brattle Theatre | 2/27/2009 | See Source »

...melodies come to you spontaneously, or do you work them out on an instrument? Philip Miller DOUBLE OAK, TEXAS...

Author: /time Magazine | Title: 10 Questions for Van Morrison | 2/26/2009 | See Source »

...blissful, gospel-esque vocal solo that delivers the song to its outro. M. Ward’s excellent and intuitive songwriting is the glue that holds these various stylistic elements in harmony rather than in dissonance.On a consistent basis, M. Ward is able to integrate his eclectic instrumentation brilliantly as he does on the album’s best song, “Epistemology.” In the song’s chorus, for instance, M. Ward fields not just a traditional rock set-up with guitars and drums, but an orchestra and a folksy hammer dulcimer...

Author: By Mark A. Fusunyan, CRIMSON STAFF WRITER | Title: M. Ward | 2/20/2009 | See Source »

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