Word: instrument
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Dates: during 1960-1969
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...guitar, there is Segovia; for the cello, Casals; and for the tenor saxophone, there was Coleman Hawkins. Before him, the instrument was a straw among the winds, used only for nasal accents in the background of jazz bands. "Bean," as Hawkins' friends called him, transformed it into an expressive solo voice that could breathe lyrical long tones on ballads or erupt into flights of dazzling arpeggios. In a sense, it could be said that he created the tenor sax, and players from Ben Webster to Sonny Rollins and John Coltrane have acknowledged their debt to his inspiration and style...
When the 2,491-lb. Venus 5 was 31,000 miles from Venus, Soviet ground controllers sent a signal that separated the instrument capsule from the speeding craft. Protected by a heat shield while its descent was slowing, the capsule eventually deployed a parachute and began radioing information about the temperature, pressure and chemical composition of the atmosphere. After 53 minutes of transmission, the capsule's signals abruptly ceased. With no word from the Russians, Western scientists concluded that the intense heat of the lower atmosphere had disabled the transmitters before the capsule crashed. They recalled that...
...eyes of their brothers. The jazzman is still respected on the back streets of New Orleans. "Take me," George would say. "Now I always been a little man. But I don't care how bad the neighborhood is--when you walk down the street with a musical instrument in your hand, peoples treat you with respect. Nobody bother a musician." He paused. "At least, no colored man bother a musician." He nodded emphatically...
...with that gun, pickin' 'em up started blowin' holes in the instru-and throwin' 'em on the ground. Slashed the drum heads with his knife. Man, he went good and crazy. Wrecked Bunk's cornet for good. Bunk never played no more until we made those records. Eveybody's instrument but mine was busted. And I have that clarinet case...
Almost his first act was to summon the director of France's state-controlled radio and television networks. Under De Gaulle, the O.R.T.F. (Office de la Radio et Télévision Française) was a shamelessly partisan instrument of politics. For the forthcoming election, Poher told the director, it must be absolutely impartial. If it is not, he warned, he will carry his complaint straight to the French public. Poher does not really have the power to give that kind of order, but on hearing of his threat, Couve reportedly blanched. Poher is almost certain...