Word: impresario
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Dates: during 1950-1959
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...talents also followed a pattern familiar to other young instrumentalists: one big prizewinning season followed by relative obscurity. Most musicians blame the concert-management system for this state of affairs far more than they do the public. Between them, Columbia Artists Management, the National Artists Corporation and Impresario Sol Hurok control 90% of the soloists and instrumental groups touring the country. To the beginning artist, the Big Three offer irresistible bait: a chance to tour the country for pay and to build a reputation. But the reputations are built in New York, and the pay, when fees and traveling expenses...
...four deep behind the Metropolitan Opera's ropes, and even the ushers stared popeyed at the stage. Orchestra seats went on the black market for $80 a pair, but few could be had. Night after night, audiences (total: 79,000, who paid $365,000) rose in cheering ovations. Impresario Sol Hurok promptly scheduled four extra performances in Madison Square Garden in late June-and they are already sold...
From Europe and the U.S. the offers were pouring in: Dowager Queen Elisabeth of Belgium personally invited him to play at the Brussels World's Fair (he may do so, with the Philadelphia Orchestra); Impresario Sol Hurok, who once passed him up, tried unsuccessfully to get Cliburn under option; Ed Sullivan put in his bid for Cliburn's first Stateside TV appearance. Columbia Artists announced plans to bring over Moscow Conductor Kiril Kondrashin to accompany Cliburn on May 19 in a Carnegie Hall duplication of his prizewinning concert, with later performances in Philadelphia and Washington. Cliburn...
...with the expensive balls). He also superintends his singers, who are an individualistic crew. Most independent of the lot: Tenor Armido Lembi, a 35-year-old worker in a chocolate factory, who draws bravos when he sings but refuses to show up more than once a week. Says exasperated Impresario Peironi: "God gave him a great gift, and he won't use it. I even offered him a job as bartender, just so he'd be in the place. He said, 'Mario, there is wickedness in your eye. If I'm here, you'll make...
...chorus that had a lot of trouble learning to sing in Italian-the production turned out to be topnotch, with bright sets, smooth and funny staging. The cast, mostly imported and mostly unknown in the U.S. (except for brilliant Mezzo-Soprano Giulietta Simionato). had been so ably picked by Impresario Kelly that the total effect surpassed the Met's memorable Don Pasquale, something of a standard for opera buffa. Said one opera veteran: "As of today, Dallas is on the map as an opera town along with New York, San Francisco and Chicago...