Word: impresario
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Dates: during 1940-1949
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...battalion digging trenches. One night he ran away ("Thank God I have long legs"), was smuggled into Austria to join the Polish colony in Vienna. He played Chopin for music-loving Austrians in Salzburg's Mozarteum, Vienna's Musikvereins-Saal. After a private recital in Rome an impresario arranged Andre's first public concert. It was a sellout...
...company will need every esthetic and material resource at hand to last through the fight to the finish now being waged. When the Ballet Theatre finally broke from impresario Sol Hurok last spring, it found itself for the first time happily without that gentleman's strong hand at its throat, but it also found itself without the financial organization which Hurok has built up through the country. The results have become apparent already, and they seem to be serious. In its first two stops of the 1946-47 season, New York and Boston, the Ballet Theatre has arrived in town...
...years Bidu gave Rio a wide berth. Reason: in her last appearance there in 1940 she was booed and hissed by a claque. The claque had been hired, cried she, by a jealous operatic impresario named Gabriella Besanzoni. Bidu swore she would return only when Besanzoni was out of power. Last week in true operatic fashion, Gabriella - now retired -swooped backstage after the first night's performance. Gabriella, dressed in full-length ermine, gathered Sayao into her arms and kissed her on both cheeks...
...little more than a child and saw Deanna Durbin in 100 Men and a Girl"). Fielding is a former child prodigy who made concert violin tours at eleven, studied under Joseph Szigeti, spent the war staging concerts for the London Philharmonic in 70 provincial towns. As a budding impresario, he always bills himself above his artists. Last week, for another Kostelanetz concert, he modestly gave himself second billing to royalty. His posters read: "In the gracious presence of Her Majesty the Queen, Harold Fielding presents Andre Kostelanetz. . . . " London newspapers sent reporters to write about the Queen-but most of their...
...story is a Hecht original: a great dancer (Ivan Kirov), subject to fits of homicidal insanity, marries a budding ballerina (Viola Essen), who hopes that his dancing and her love will work a cure. Great Teacher Judith Anderson and threadbare Impresario Michael Chekhov, torn between terror and balletomania, hover unhappily in the wings. Another sideliner, Poet Lionel Stander, grates out Mr. Hecht's own highly debatable views on Love & Art, and dashes an occasional gruelly tear from his granitic eye. To climax a triumphant tour, the dancer's mind finally cracks and he turns...