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...later, it was the "Harlem Renaissance" that would lay the best-publicized claim to the word. This highly self-conscious movement was born largely through the midwifery of Alain Locke, the first black Rhodes scholar. Writers such as Langston Hughes, Jean Toomer, Countee Cullen, Jessie Fauset and Zora Neale Hurston -- the fundaments of the black literary canon today -- came of age at this time, leading the New York Herald Tribune to announce in 1925 that America was "on the edge, if not already in the midst, of what might not improperly be called a Negro renaissance...

Author: /time Magazine | Title: Black Creativity: on the Cutting Edge | 10/10/1994 | See Source »

...traditional" justification for all this--from the writings of Cardinal Newman to the "age-old ideal" of mathesis universalis to simple "common sense" (which is used by the right to defend the Anglo-American canon "common sense," for example, might say that Shakespeare is "better" than Zora Neale Hurston).But in this case, Gates says, "[c]ommon sense says that you don't bracket 90 percent of the world's cultural heritage if you really want to learn about the world." Good point...

Author: By John A. Cloud, | Title: Gates Makes a Strong Defense of Multiculturalism and Afro-American Studies in Latest Collection of Essays | 5/1/1992 | See Source »

MULE BONE. Famed among scholars of black literature as an intriguing might- have-been, this 1930 collaboration between Harlem poet Langston Hughes and fiction writer Zora Neale Hurston needed 61 years, and further tinkering, to make it to Broadway. The result, a fable set in a small Florida town, is vibrantly acted and full of charm, its dialectal richness enhanced by twangy Taj Mahal songs...

Author: /time Magazine | Title: Critics' Voices: Mar. 18, 1991 | 3/18/1991 | See Source »

...only because I was committed to doing so. I enrolled in classes that covered women's literature and specifically Black women's literature but it is entirely possible to graduate from this institution with an English degree and not be familiar with the works of Naylor, Morrison or Hurston...

Author: By Melanie R. Williams, | Title: It's Not Just Ethnic Studies | 12/13/1990 | See Source »

...would like to say that higher education serves to open the minds of its students but I can't. As long as the voices of Black women writers like Morrison, Walker and Hurston fall on deaf ears, the minds of many will remain closed and unapproachable...

Author: By Melanie R. Williams, | Title: It's Not Just Ethnic Studies | 12/13/1990 | See Source »

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