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...more serious note, the hunger for nobility endangers everyday morality—because the latter is expected. What does it matter that you held the door open for a stranger? It’s not out of the ordinary. Or, at least, it wasn’t. Today, we act like the crucial tests come with the big things. Did you give up a lucrative job to help starving kids in Haiti? Did you take a stand against your government? Did you die in the line of duty? But the crucial tests come more often—in fact, they...

Author: By Brian J. Bolduc | Title: A Few Good Men of Harvard | 5/27/2010 | See Source »

When we first arrived at Bartley's, there was, as always, a line stretching past the Harvard Bookstore, and the smell of the burgers and fries coming from the little restaurant only affirmed our hunger and excitement for the “experience?...

Author: By Agnes K. Sibilski, CRIMSON STAFF WRITER | Title: Elena Kagan Gets Her Own Bartley's Burger | 5/17/2010 | See Source »

...whose novel—“How Opal Mehta Got Kissed, Got Wild, and Got a Life”—borrows more than just a few words from several previously published books. Few, that is, except for David Shields, who, in “Reality Hunger,” maintains that Viswanathan must be considered an artist precisely because—and not in spite—of her obvious plagiarism...

Author: By James K. Mcauley, CRIMSON STAFF WRITER | Title: Shield's Modernist Manifesto Arrives a Few Decades Too Late | 4/20/2010 | See Source »

Referencing Viswanathan’s novel in one of the 618 numbered vignettes that constitutes “Reality Hunger,” Shields reveals his disappointment at the media’s smear-campaign against the young author, then a Harvard sophomore: “Excuse me, but isn’t the entire publishing industry built on telling the exact same stories over and over again?” he asks. “I don’t feel any of the guilt normally attached to ‘plagiarism,’ which seems...

Author: By James K. Mcauley, CRIMSON STAFF WRITER | Title: Shield's Modernist Manifesto Arrives a Few Decades Too Late | 4/20/2010 | See Source »

...Shields has given voice to the artistic controversies of recent years—Oprah Winfrey’s war on James Frey, the prevalence and popularity of reality television, the question of whether people still want to read novels in the Information Age—“Reality Hunger,” with its fixation on literary and artistic forms that developed long before Shields ever came of age, seems a bit out of sequence. While the ideas Shields espouses—a greater emphasis on truth instead of the artificiality inherent in traditional narrative structures?...

Author: By James K. Mcauley, CRIMSON STAFF WRITER | Title: Shield's Modernist Manifesto Arrives a Few Decades Too Late | 4/20/2010 | See Source »

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