Search Details

Word: herrman (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Cotillion" evoked, somewhat to its own disadvantage, a scene from another DeMille ballet: "Hoedown" from Rodeo. The percussion produced by the orchestra seemed too heavy here, but was just right for the burlesque "Epilogue," an exciting Howard Hanson-meets-Bernard Herrman affair...

Author: By Matthew A. Carter, | Title: Patriotism Reigns At Symphony Hall | 2/13/1997 | See Source »

...scene, Travis's cab emerges on to the screen from a Dantean burst of steam like a metallic beast as Bernard Herrman's eerie score beats to a crescendo. A close-up of Travis's wide-open eyes reflects the gaudy neon lights of 42nd Street porn shops, as he absorbs the world about him for a fare. At times, his passivity seems to reappear in his actions. Travis sees the "pow-pow" finger motion of a fellow cabbie and imitates it later--in a drastically different context, perhaps suggesting how Travis is shaped by the world around...

Author: By Nicholas R. Rapold, | Title: Yeah, We're Still Lookin' at DeNiro | 2/15/1996 | See Source »

...Herrman L. Blumgart '17, professor of Medicine Emeritus and a noted cardiologist, died of a heart attack yesterday morning in Stillman Infirmary...

Author: By George K. Sweetnam, | Title: Cardiologist Dies, Was 'Institution' In Medical Area | 3/22/1977 | See Source »

...motives: Dad, for example, gets canned from his p.r. job because of the sudden family disgrace. He then spends much of the film trying to hunt down and kill his own child, as if to win back community respect. Even a score by the usually excellent Bernard Herrman is of little help. Herrman did the music for many of Hitchcock's best films (Vertigo, Psycho). His participation in It's Alive lends it a fleeting and futile air of quality, like a concert virtuoso playing piano in a cathouse...

Author: /time Magazine | Title: Cinema: Scarred at Birth | 3/3/1975 | See Source »

...wrong direction, Truffaut having subtitled it unofficially his "hommage a Hitchcock," the film directly after publications of the huge Le Cinema Selon Hitchcock now on everybody's coffee table. But the film pleasantly reveals Truffaut as having learnt more and imitating less. Only the music (by Bernard Herrman, composer of Vertigo and five other Hitchcocks), and a few shots (for example, the early close-up of the suitcase, from Marnie) recall specific Hitchcock films, and Truffaut provides instead a carefully crafted film molded around stylistic devices Truffaut reveres as a result of his love for Hitchcock...

Author: By Tim Hunter, | Title: The Bride Wore Black | 7/30/1968 | See Source »

| 1 | 2 | 3 | 4 | 5 | Next