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...stupendously complex drawings of imaginary terrains, buildings and cities, infinite in their ramifications of detail and yet exquisite in their order, entitle him to be seen as perhaps the greatest psychotic artist whose work has come down to us. And some are known only to specialists. Among these are Heinrich Hermann Mebes (1842-?), whose tiny visionary-symbolist watercolors fall somewhere between Philipp Otto Runge and Persian miniatures; and Friedrich Schroder-Sonnenstern (1892-1982), with his fearsome moralizing fantasies; and the mental patient Karl Brendel (1871-1925), whose tiny, intense woodcarvings are so close in spirit to German Expressionist sculpture...

Author: /time Magazine | Title: Art: The View From Outside | 12/14/1992 | See Source »

...Heinrich Muller...

Author: By Brady S. Martin, CRIMSON STAFF WRITER | Title: Hamlet, Audience Lost In Gears of Maschine | 10/22/1992 | See Source »

Rachel Cohen's Ophelia was a great complement to Hamlet. When she changes from Shakespeare's weak, supplicating girl to Heinrich Muller's strong, gruff-voiced feminist, she threatens to overshadow the play's lead character. Though her solo dance left much to be desired on both her part and that of choreographer Kaiama Glover, her unorthodox lines were delivered with sufficient punch and conviction to enthrall the audience...

Author: By Brady S. Martin, CRIMSON STAFF WRITER | Title: Hamlet, Audience Lost In Gears of Maschine | 10/22/1992 | See Source »

...BEST THING ABOUT TALES FROM HOLLYWOOD is its subject. Christopher Hampton's 1982 play focuses on leading German literary emigres who settled in the film capital in the '30s and '40s, namely Bertolt Brecht and Thomas Mann and his brother Heinrich (along with Austro-Hungarian dramatist Odon von Horvath, who never really made it to America but serves as fictionalized narrator). Yet an impressive cast -- Jeremy Irons, Alec Guinness, Sinead Cusack -- cannot lift this PBS American Playhouse adaptation much above elegant name dropping. Despite snatches of Ragtime-esque fantasy and an ending that pays homage to Sunset Boulevard, the drama...

Author: /time Magazine | Title: Short Takes: Oct. 19, 1992 | 10/19/1992 | See Source »

...When Heinrich Neuhaus the great piano teacher of Gilels and Richter, heard Ugorski play at the age of 17 he said, "Not talented as a pupil, does not absorb influences. But a gifted pianist." Ugorski worked his way up to an appointment as a professor at the Leningrad Conservatory. He worked there until 1990, when he finally emigrated to Germany...

Author: NO WRITER ATTRIBUTED | Title: Out of the U.S.S.R. | 10/8/1992 | See Source »

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