Word: harpsichordist
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Music carries an article on a hip harpsichordist who turns on youthful audiences with Bach and Mozart. Baseball fans are delighted by the return of competition in the American League East; Sport relates the comeback of the New York Yankees and profiles Sparky Lyle, the relief pitcher who made it possible...
...involves solos from all sections of the orchestra including an extremely flashy violin variation played by Robert Portney '74. The rest of the orchestra's personnel includes members of the tennis, lacrosse, swimming and baseball teams, an ex-conductor of the Bach Society, the daughter of a world-famous harpsichordist, a former House Master, an oboist who does remarkable animal imitations, and, pound for pound, the greatest tympanist in the world. This unusual aggregation will be conducted by Martin Kessler '71, who was quoted as saying, "don't miss this...
REQUIEM, K. 626 (Telefunken). Mozart's liturgical music is tricky to interpret. But Karl Richter, an organist and harpsichordist as well as conductor, creates a performance that combines operatic grandeur in the Dies Irae with the religious awe attending death that is heralded by the sepulchral drumbeats at the close of the Agnus Dei. The four first-class soloists (Maria Stader, soprano; Hertha Töpper, alto; John van Kesteren, tenor; Karl-Christian Kohn, bass) enter into the spirit of their conductor's classical conception: they never struggle to achieve Wagnerian eminence of tone but modestly blend into...
...eleven-month season by presenting church performances of two 12th cen-tury music dramas, The Play of Daniel and The Play of Herod. Staged and costumed in period style, these productions unfold in vocal chants and instrumental passages of austere elegance and moving simplicity. White, 43, a musicologist and harpsichordist who took over the Pro Musica after Founder Noah Greenberg died in 1966, has no intention of abandoning such efforts. In fact he plans more: the group will soon start rehearsals for a production of Jacopo Peri's 1600 opera Euridice, the earliest opera for which all the music...
...acting and (one hopes?) interacting on stage. A production needs to be seen as a whole; and this demands perspective and objectivity. It was for this reason that the job of directed evolved in the first place--and, analogously, that the orchestral conductor superseded the head-bobbing harpsichordist or violin list. Is the indulging of theatrical egotism and arrogance worth a return to the old-time lack of focus, balance, and precision? Both Sir Laurence and Saint Cyril should attend to wending their ways by mending their maze...