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...break as a singer until she was 31, when controversial director Peter Sellars cast her in a summer festival production of Handel's Giulio Cesare. Throughout her career, she made unconventional choices, favoring complex roles in little-known baroque operas as well as contemporary pieces such as John Harbison's The Great Gatsby, in which she made her 1999 debut at New York City's Metropolitan Opera, playing Myrtle Wilson. Audiences were enthralled by Hunt Lieberson's deeply passionate portrayals, but she once said they left her "crispy fried in every way." She last sang professionally in March in Neruda...

Author: /time Magazine | Title: Milestones Jul. 17, 2006 | 7/9/2006 | See Source »

...East Asian Languages and Civilizations Department, 5 Bryant St.2:00 PM Inherit the WindJFK Jr. Forum Medieval English PolyphonyAdolphus Busch Hall Sonatas for Flute and PianoFogg Art Museum Calderwood Courtyard Lowkeys: Co-ed A CappellaHarvard Yard Stage The Bass ViolinHolden Chapel On The HeirLoker Commons Dance FestivalLowell Lecture Hall Harbison String Quartet No. 1Memorial Church Music for Clarinet and PianoPaine HallProkofiev Sonata for Two ViolinsPhillips Brooks House Harvard Brass! Sanders Theatre Aikido DemonstrationScience Center D2:30 PM Duelling Lutes: Music for Two GuitarsAdolphus Busch Hall Divided We FallCarpenter Center Wafted, by Angels, Safely AboveCarpenter Center Liszt: Piano and WaterFogg...

Author: NO WRITER ATTRIBUTED | Title: ARTS FIRST LISTINGS | 5/3/2006 | See Source »

...brilliant acoustics of Busch Hall during last year’s Arts First was nothing less than a “spiritual experience.” This year, he and other members of the Brattle Street Chamber players will play the String Quartet No. 1 by John H. Harbison ’60. Six years ago, Harbison—who is one the leaders in contemporary classical music—was a recipient of the Arts First Medal. “I wouldn’t say he looms over the campus, but he has a big presence...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Classical Concerts Consume Campus | 5/3/2006 | See Source »

ASSISTANT EDITORS: Ursula Nadasdy de Gallo, Andrea Dorfman, Brigid O'Hara-Forster, William Tynan, Sidney Urquhart, Jane Van Tassel (Department Heads); Bernard Baumohl, David Bjerklie, Val Castronovo, Mary McC. Fernandez, Georgia Harbison, Ratu Kamlani, Sue Raffety, Susan M. Reed, Elizabeth Rudulph, Susanne Washburn, Linda Young REPORTERS: Elizabeth L. Bland, Hannah Bloch, Barbara Burke, Tresa Chambers, Wendy Cole, Tom Curry, Kathryn Jackson Fallon, Kevin Fedarko, Janice M. Horowitz, Jeanette Isaac, Daniel S. Levy, Michael Quinn, Jeffery C. Rubin, Andrea Sachs, Alain L. Sanders, David Seideman, David E. Thigpen COPY DESK: Judith Anne Paul, Shirley Barden Zimmerman (Deputies); Barbara Dudley Davis, Evelyn...

Author: /time Magazine | Title: TIME Magazine masthead JANUARY 3, 1994 VOL. 143 NO. 1 | 11/3/2005 | See Source »

...rarely used as a solo instrument. “The traditional concerto is a battle between the soloist and the orchestra,” says Zander, and the viola—unlike its close cousin, the violin—has no chance of victory. With this in mind, Harbison, who plays the viola himself, cut the orchestra’s size significantly. The result was a more balanced relationship between orchestra and soloist, one in which the viola can hold...

Author: By Jonathan M. Hanover, CRIMSON STAFF WRITER | Title: Zanders Works BPO Magic | 10/30/2005 | See Source »

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