Word: haired
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Dates: during 1970-1979
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Meryl Streep could obviously have made it to the screen on looks alone. Says Director Michael Cimino, who worked with her on The Deer Hunter: "The camera embraces her." Lucky camera. Many women would kill for her slender, fashion-model figure, for that ash-blond hair, oval face, porcelain skin and those high, exquisite cheekbones. Her eyes mirror intelligence; their pale blue sparkle demands a new adjective: merulean. Only a slight bump down the plane of her long, patrician nose redeems her profile from perfection...
...insists Streep. "For one thing, I thought no one liked me . . . Actually, I'd say I had pretty good evidence. The kids would chase me up into a tree and hit my legs with sticks until they bled. Besides that, I was ugly. With my glasses and permanented hair, I looked like a mini-adult. I had the same face I have today, and let me tell you the effect wasn't cute or endearing." Brother Harry, two years her junior, agrees: "In fact, she was pretty ghastly when she was young...
...Wings of the Dove, with Beverly Sills. It was incredible to see her onstage. Until then, I thought she was just a nice lady who had the lesson before me." One morning Meryl got up, squashed her glasses underfoot, put peroxide and lemon juice on her hair and set out to be "the perfect Seventeen magazine knockout." Boys quickly appeared, and so did a high school teacher determined to build musicals around Meryl's singing. During her freshman year, she made her first appearance onstage as Marian in The Music Man. The young performer was talented but hardly driven...
Next came Vassar and the recognition that this wholesome young woman possessed an eerie gift. Clinton Atkinson, a director on the college staff, found her acting "hair raising, absolutely mind boggling. I don't think anyone ever taught Meryl acting; she really taught herself." After graduating with a major in drama, she joined a small repertory company in Vermont and then won a three-year scholarship to the Yale School of Drama. Her classwork won ever higher praise. "Whenever she did a scene," says Director Robert Lewis, who was a professor there at the time, "you wished that...
Value-conscious consumers, of course, are not the only people paying premium prices. Some upmarket shopping is strictly self-indulgent and "Me Generation" snobbery. Candy consumption is down, but status-hungry consumers are still gobbling up items like Godiva, chocolates at $12 per lb. L'Oréal hair-care products push the message to shoppers: "L'Oréal is more expensive, and I'm worth it." Still, says Lord & Taylor Chairman Joseph E. Brooks, "I do not think there will be promiscuous luxury buying of gifts...