Word: gunnel
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...reason that boys of a certain age were enthralled by Bergman's films was that he had some of the world's most beautiful and powerful actresses in his repertory company: Eva Dahlbeck, Harriet and Bibi Andersson, Ingrid Thulin, Gunnel Lindblom, Liv Ullmann, Lena Olin. These were major mesmerizers, and they all worked...
Among the superlatives that might be tossed his way, Bergman was surely the most probing writer of women's roles, the most sympathetic director of actresses. Harriet and Bibi Andersson, Ingrid Thulin and Gunnel Lindblom caught fire in the Swede's existential dramas. He wrote searing roles for them; they gave body and soul to his ideas, becoming for a time his muses, often his lovers. Bergman's last, most lasting actress liaison was with the Norwegian actress Liv Ullmann. Her soft features and stern resolve inspired a string of stern masterworks, starting with 1966's Persona, in which...
...killed by her father (Max Von Sydow). A miracle play and a horror movie--it was remade in 1972 as The Last House on the Left--the movie retains its stark grandeur in the chiaroscuro cinematography of Sven Nykvist. As a peasant girl who witnesses and wills the murder, Gunnel Lindblom has a feral magnificence...
Summer Paradise. As four generations of a Swedish family gather for a holiday, Director Gunnel Lindblom probes the forces that threaten the family as an institution...
This description of the film's story plays it false, makes it seem somehow a schematic representation of a textbook family, when in fact the people of Paradise are carefully particularized. The film is the first time that Gunnel Lindblom, an actress in several Ingmar Bergman movies, has directed (Bergman has the producer's credit). Her touch is usually delicate. Even the unhappy ending is understated, though there is a hint of further tragedy to come. There will be more to this family's life, and not all, of it a misery, before we write finis either...