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Word: guitar (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...first film, They Live by Night, won critical plaudits for its stark depiction of teen-age alienation, loneliness and savage cruelty-themes he later developed in the psychological western Johnny Guitar and the '50s cult film starring James Dean, Rebel Without a Cause. Ray's fortunes faded in Hollywood in the 1960s, not to be revived by blockbuster fiascos he made abroad...

Author: /time Magazine | Title: Milestones, Jul. 2, 1979 | 7/2/1979 | See Source »

...Love My Baby," Gordon weds his singing to Spedding's hot derivative guitar licks. Derivative, hell--they were stolen. But who cares? Just listen to these lyrics...

Author: By Bromide Kush, | Title: Rock and Roll Neanderthal | 6/4/1979 | See Source »

...toupee. His last record, Fresh Fish Special, was a great open-a- few-beers album which included, among other things, the best version to date of Bruce Springsteen's "Fire." With his Elvis-like baritone and falsetto yelps, Gordon made you dance along and sing along, play an invisible guitar and even try Brylcreem...

Author: By Bromide Kush, | Title: Rock and Roll Neanderthal | 6/4/1979 | See Source »

Reed's replacement for the Velvet Underground sound is a mixture of electronically synthesized guitar and bass, a traditional wind and brass section, and a technique called "stereo binaural sound"-which has something to do with the placement of microphones and leads to a thick, atmospheric recording best listened to with headphones. The sound is unmistakeable and very pleasing, and so far Reed has been able to write songs that take full advantage fo it. On "I Want to Boogie With You," Don Cherry's trumpet and Marty Fogel's sax thicken the soup of a repeated chord sequence...

Author: By Scott A. Rosenberg, | Title: Notes from Underground? | 5/23/1979 | See Source »

...Reed and Patti Smith both began as hard rockers, and both have turned away from the good, fast beat and loud guitar staples of that genre. Smith has ditched them for mellow production and a cute smile, letting pretense win out over her instinct to play the music hard. Reed, more respectably, has done as much with them as he can and them tried to break away gently. Neither can tightly be called a leader of the avant garde. Reed is tired out, and though his work may point the way for others, his days of leadership are over. Smith...

Author: By Scott A. Rosenberg, | Title: Notes from Underground? | 5/23/1979 | See Source »

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