Word: greenstreet
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Familiar as they are with its products, millions of Americans also tend to assume that they know all about the advertising business. Moviegoers have a clear impression of the nature of life on Madison Avenue: it is a combination of Sydney Greenstreet bullying Clark Gable in The Hucksters and Rock Hudson seducing Doris Day in Lover Come Back. In the public mind, the advertising business is firmly established as a grey-flannel world of three-Gibson lunches, three-button jackets, unabashed throat slicing and zany argot ("Let's smear some of this...
Harry S. Stonehill resembles the kind of character that the late Sydney Greenstreet used to play in all the old Warner Bros, beaded-curtain thrillers. A blunt, beefy Chicagoan who changed his name from Steinberg in 1942 because "German names at that time weren't very popular," Stonehill built up a $50 million business empire in the Philippines. "Every man has his price," said Harry Stonehill, and in the Philippines after World War II he found that the going rate was fairly cheap; at one time he boasted: "I am the government...
...surface of most Bogey pictures (the frightening and disgusting homosexual misogynism of Capote's Beat the Devil, for example) there are hundreds, one fears thousands, who percieve only the reasonable superficial escapist qualities of all movies herein, performed delightedly and genially by Bogart, Bacall, the Houstons, Elisha Cook, Lorre, Greenstreet, and the gang...
Peter Lorre, as a small time peddler of happiness, this time in the form of contraband exit visas, is his usual wicked self and Claude Raines, playing a French prefect willing to go along with the Germans, is brilliantly non-committal. Striking down nothing more menacing than flies, Sidney Greenstreet portrays a man marvelously unconvincing self-proclaimed leader of "all organized crime" in Casablanca. In short, the gang is all here for the picture. The only disappointment is that Lorre is bumped off too soon...
...plot read like the scenario of an old Sydney Greenstreet movie, but the main character was all too real. Rugged, soft-voiced Ted Lewin, 52, is an American ex-prizefighter with a taste for dark shirts, penthouses, air-conditioned Cadillacs and shadowy wheelings and dealings. In and out of Manila, in the past two decades, he has turned many a fast peso...