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Word: goddess (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...excess--a little too much freshness, fastness, and cleverness at times. Tricky gimmicks are repeated too often or dwelled on too long the first time around. Possessive Momma sends her son locks of her hair; a hypocritically-pious spinster drags a burly cop off to bed; the bitch-goddess type has tacked above her bed the wooden leg of her first seducer--an albino hypnotherapist. It can be too much, even if you are prepared to accept most anything...

Author: By Glenn A. Padnick, | Title: You're a Big Boy Now | 4/11/1967 | See Source »

...Goddess. All that's exciting in the new cast of cinema characters is prepotently present in Lynn and Vanessa Redgrave. They look, to begin with, like no other actresses currently facing clapper cues?and certainly not like each other. Both are tall, but Vanessa is the taller by a smidgen; at 5 ft. 10½ in., she is the skyscrapingest screen queen in filmsville. (Garbo, though her pressagent insisted that she was only 5 ft. 7, wore flat heels in Grand Hotel but still swayed high above John Barrymore, whose pressagent insisted that he stood 5 ft. 10.) For her height...

Author: /time Magazine | Title: Actresses: Birds of a Father | 3/17/1967 | See Source »

Epic & Titillating. If conscience and commitment led Henry Luce into journalism in the first place, his Yankee ancestry drove him hard to do well at it.* "The bitch goddess," he said, "sat in the outer office." With his Yalemate and co-founder of TIME Briton Hadden, Luce realized after World War I that Americans as a nation were more aware than ever of world problems?"but that their knowledge didn't equal their interest." Luce recalled his father's dictum: "The purpose of education is to make a man feel at home in his universe." That, to him, became...

Author: /time Magazine | Title: Nation: HENRY R. LUCE: End of a Pilgrimage | 3/10/1967 | See Source »

What is a father to do, muses Tenintius as he disconsolately fondles a slave girl, his heart heavy and his country destitute. Cloud-borne, the answer descends heavily from the grid. The goddess Diana (Anthony Fingleton) has landed in Beotia. As it turns out, the goddess of chastity, and the moon ("Would you like to see why?"), can't find any takers on Olympus. She's come to earth to correct all that. "People," she sings philosophically, "are better than nothing...

Author: By Timothy S. Mayer, | Title: A Hit and A Myth | 3/10/1967 | See Source »

...goddess could clear up the minor personality adjustments so necessary to effect a union between the sportive Atalanta and her Lacedaemonian lad, and the ever-permissive Diana is perfectly prepared to sling a miracle or two in the aid of a good cause. The problem is the goddess's designs on King Tenintius himself. One glimpse at Fingleton's magnificent visual characterization of Diana--he looks precisely like one of the more grotesque 19th century caricatures of Britannia--and you understand the unfortunate monarch's dilemma...

Author: By Timothy S. Mayer, | Title: A Hit and A Myth | 3/10/1967 | See Source »

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