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David Suskind: "What's Good, What's Bad, What's New at the Movies?" Discussion with Vincent Canby (N.Y. Times film critic), Peter Bogdanovich (director of "The Last Picture Show"). William Friedkin (director of "The French Connection"). Eleanor Perry (screenwriter of "Diary of a Mad Housewife"). Penelope Gilliat, and Paul Zimmerman (Newsweek film critic), 9, March 11. Chan...

Author: NO WRITER ATTRIBUTED | Title: television | 3/9/1972 | See Source »

...Gilliat has made a film which is not traditionally expository. She conveys the sense of people's behavior when they are alone or with another by entrusting the trio to the audience as their intimates. They speak the abbreviated language of lovers, and we are shown friendships formed months ago, situations interrupted, conversations already three quarters finished, and are expected with confidence to comprehend the ellipses. When asked why the film did not end on Daniel's and Alex's encounter rather than on Daniel's monologue. Gilliat had a strong conviction...

Author: By Gwen Kinkeed, | Title: With Penelope Gilliatt | 12/14/1971 | See Source »

Because Sunday Bloody Sunday operates in a specific economic context (a newscast of a prevailing monetary crisis serves as the film's refrain). Gilliat feels her movie is "peculiarly political." The political import reads like an open letter to the English, who are familiar with its suggested terms, while an American needs to be told that the Jarrow hunger marches in 1906 are built deep into the nation's memory, and into the background of her characters. Class differentiation in the film as seen, to be gradually disintegrating. Bob represents a classless agent, although his implicit working-class origin...

Author: By Gwen Kinkeed, | Title: With Penelope Gilliatt | 12/14/1971 | See Source »

...busily set about furnishing his newly acquired country seat in Sussex. Among its ornaments: redheaded Socialite Penelope Gilliat, 29, a London cinema critic and wife of Neurologist Roger Gilliatt, the best man at Princess Margaret's wedding. In response to pointed questions from Fleet Street newshawks, Dramatist Osborne offered some uncharacteristically wooden dialogue: "It is true that Mrs. Gilliatt and I brought some of our belongings here over the weekend . . . Mrs. Gilliatt will be staying here with me for some time...

Author: /time Magazine | Title: People: Oct. 6, 1961 | 10/6/1961 | See Source »

...mainland tae hilch himsel' a wife. He haes his courtin' orders: nae Campbells, nae Catholics, and nae lassies from Erismore Isle. An' he haes the cantie assistance, in a' this clishmaclaver, o' Frank Launder an' Sidney Gilliat, the same glib-gabbit couple o' callans as made Wee Geordie (TIME, Oct. 29, 1956) sic a rantin' raible o' sculdudd...

Author: /time Magazine | Title: Cinema: A Blype o' Clishmaclaver | 12/28/1959 | See Source »

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