Word: gibsonã
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Village, people are so overloaded by film shooting there, they just hate it,” Horovitz said. “Boston [is the] opposite. People are so excited to have films here, they just love it. Last year, people were like, ‘Oh, my God, Mel Gibson??s coming here, that’s awesome!’ The people are great.” It seems that film in Boston—and at Harvard—will continue to thrive...
...HAVEN, Conn.—Harvard’s season was hanging in the balance. Yale forward Jordan Gibson??s layup at the end of the first half made the score 34-25 in the Bulldogs favor. The Crimson labored for much of the opening period, scoring just five points over the final 10 minutes of the frame...
...full-fledged studio album. The differences from 2005’s “Hypermagic Mountain” are small but significant, taking the band beyond mere reproduction of a live show. The wider sonic range afforded by proper mic placement and high-end recording equipment gives bassist Brian Gibson??s densely layered effects a bit of breathing room, revealing a textural intricacy that is lost in live performance. On “The Sublime Freak”, Gibson??s feedback-soaked bass rattles the hi-hat before diving into a riff as catchy...
It’s hard to believe that Gibson??s signature sonic texture comes from a single instrument, but more surprising than the density of Gibson??s tone is the wide range of atmospheres he and Chippendale manage to evoke with their limited palette. The intro to “Flooded Chamber” is crafted from loops of pitch-shifted feedback, coalescing into a mournful seagull cry above Chippendale’s skittering ADD drums. “Rain on Lake I’m Swimming In” is a wash of echoed, harmonized...
...compositional techniques guiding each song’s overall development can also be heard on a micro level, with constant subtle variations on otherwise repetitive riffs. This is most evident in Chippendale’s frenetic drumming, which offloads much of its traditional duty as repetitive time-keeper to Gibson??s chunky, rhythmic bass. Chippendale is thus free to play as a soloist in a jazz combo, exploring every possible subdivision and inversion of the dominant rhythmic motif. The drums in “Nation of Boar” heighten tension as they increase in complexity, reaching...