Word: ghettos
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...outlet for those youth who maintained a zeal for life, despite trickle-down economics that never quite trickled down to the bottom. Contrary to the elitist posturing of many “real hip-hop heads,” the first rap songs were not about the problems of ghetto life, but instead were composed of nonsensical rhyming about fun and love. When the Sugar Hill Gang released “Rapper’s Delight” in 1979, hip-hop was music by ghetto people for ghetto people, and was about sustaining life, not replicating the misery...
Ironically, while commercial hip-hop enjoyed tremendous financial success, it was gangsta and socially-conscious rap that dominated the media’s attention. In the beginning, gangsta rap’s obsession with reporting the conditions of ghetto life to outsiders granted America a great service: NWA’s “F--- Tha Police” exposed police brutality, while Public Enemy brazenly dissed Ronald Reagan by exposing the other side of his policies. This tradition reached its peak in the mid-1990s, when Nas’ Illmatic, the Notorious B.I.G.’s Ready...
...ghetto booty. Paul M. Soper’s, to be precise...
Shunpei Kim, the antihero of director Yoichi Sai's new film Blood and Bones, is one of the least endearing characters ever to grace a movie screen. Compulsively cruel, breathtakingly petty, he stalks through life in Osaka's Korean ghetto with his face locked in a snarl. He puts maggoty meat on his family's dinner table while gambling away his earnings, beats and rapes his estranged wife, and hurls his stepdaughter down a staircase. When a worker at his fish-cake factory begs for back pay, Kim responds by applying a hot coal to the man's cheek. After...
...revelers, who bobbed and shrieked and ululated and exulted in bawling music drunken screaming stroboscopic girls in slices boys dry-humping in-heat bitches he’s not cool got little dickie his cum dumpster is what she is oh fuck that sucks it’s so ghetto scarfed a whole line with a green straw from the heel of her Manolo gotta get laid...