Word: george
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...breaker-size ripples in the international opera pool, his wife died of a brain tumor, leaving him with their toddler Ornella. Then last year in London he fell in love with a beautiful Romanian soprano, Angela Gheorghiu, 30, who was making headlines at Covent Garden as Violetta in Sir Georg Solti's production of La Traviata. The pair have been together ever since, as inseparable as two can be who must manage separate singing careers; they plan to marry in the next couple of weeks. "It's destiny," Alagna cries. "Very good destiny!" Naturally, the romance has the music world...
...close 3-2 vote, the panel of student judges--which included Georg S. Dukas '97, the editor-in-chief of the International Review, Jonathan P. Feeney '98, Undergraduate Council President Robert M. Hyman '98-'97, Crimson editor Ben J. Lima '98 and Crimson President Andrew L. Wright '96--picked the group Daily Planet as the winner...
...judging board consists of Georg S. Dukas '97, the editor-in-chief of the International Review, Undergraduate Council President Robert M. Hyman '96-'97 and Crimson editor Ben J. Lima...
...attracted more than routine interest because it is the one year in seven when a new Ring cycle debuts. In addition, the conductor for the first time is James Levine, the Metropolitan Opera's powerful artistic director and the leading interpreter of Wagner on the international scene ever since Georg Solti largely retired from theatrical work. Levine's partners are Alfred Kirchner, an experienced European opera and theater director, and set and costume designer Rosalie, the professional name of Gudrun Muller. This is the pair's first time working on the Ring at Bayreuth as well. The result...
...next 30 years. Naturally, this made Boyd seem provincial, against the dominant currents of international abstract art. Then came the '80s, and with them a figurative revival -- conducted, for the most part, by shallow rhetorical artists, media- hypnotized Americans and hot-'n'-heavy Germans. But Boyd, unlike Georg Baselitz and other cultural sausagemakers, didn't have ministries and art magazines pushing his work while a worldwide dealer and museum network pulled it. He never got on the Postmodernist menu...