Word: george
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Dates: during 1990-1999
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...Ballpoint Pen 1938, designed by Hungarians Ladislao and Georg Biro...
Instead of representation, instead of abstract beauty, Weimar visual cultural does...what? It is political, but it is more than simple propaganda--Heartfield and Georg Grosz each have their Hitler caricatures, but the meat of Weimar thought is elsewhere. Technology is everywhere: in the medium of photography, in Bauhaus design, in the mannequins of Josef Albers and Oskar Schlemmer, in the pipes and puppets in the portraiture section. The noisy whirligig of modern technology is both embraced in dada photo-montages of basketball-headed humanoids and controlled through the neat, organized designs of Herbert Bayer's movie house and exhibition...
...exhibition does an adequate job of presenting the complexity of Weimar visual culture. There are no flagship pieces; not one oil painting graces the show (where is Christian Schad?). Copious books have been placed in the hallway outside the exhibit to bolster the scanty offerings. There is a characteristic Georg Grosz sketch of men and women walking about, greedy and mean, but it feels like little more than a twig compared to the corpus of Grosz's works. The same is true of the representation given of Beckmann, Feiniger, Albers, Schlemmer and other Weimar stars. The only artist...
...podium, one could imagine oneself in some Eastern version of Sleepy Hollow. There was Artur Dmitriev, lifting his new partner Oksana Kazakova to a gold, with a long program of soulful if hardly flawless majesty, and collecting the medal he had won six years before. There was Georg Hackl, the businesslike German soldier, shooting away with the gold in the men's luge, as he had done in Lillehammer and in Albertville. And there was slalom ace Alberto Tomba, saying he wanted to find a girl to settle down with. As the newcomer Kazakova said, after surviving a singled double...
...classical-music-business professionals and began her speedy climb to stardom. James Levine, who two years ago led the season-opening production of Otello at the Met that marked her professional coming of age, says Fleming's Desdemona "already ranks with the very best." The late Sir Georg Solti was instrumental in persuading London Records to sign her to an exclusive contract, making her the first American singer signed by the Europe-based label since Marilyn Horne...