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...wouldn’t do today.”With the same boldness of mind, Friedkin went on to direct “The Exorcist”—the horror classic that earned 10 Oscar nominations—just two years later.If a filmmaking deity saved William Friedkin??s career, it was instinct, he suggested, that pushed it forward. Almost every choice made by Friedkin for “The French Connection” was either motivated by intuition or forced by circumstance. Hackman was only considered after a number of other actors were unavailable...

Author: By Sasha F. Klein, CONTRIBUTING WRITER | Title: Friedkin Makes the 'Connection' | 2/27/2009 | See Source »

...action film aspiring to psychoanalytic significance, The Hunted—the latest from The Exorcist director William Friedkin??begins with a quote from the Bible, as interpreted by Bob Dylan: “Oh God said to Abraham, ‘Kill me a son.’” The plot follows accordingly, setting peace-loving L.T. Hallam (a mountain man reminiscent of Jack London, played by Tommy Lee Jones) on the trail of Aaron Hallam (Benicio del Toro), when the latter—a Special Forces superman scarred by his service in Kosovo?...

Author: By Ashley Aull, CONTRIBUTING WRITER | Title: Film Preview | 3/14/2003 | See Source »

Nevertheless, Oedipal conflict certainly plays a role in the subtext of the film. Hallam’s spooky taunting of his victims, hunters who search for deer with high powered scopes, applies as much to Friedkin??s directorial predecessors as to the trigger-happy “businessmen from Medford” who become Hallam’s first victims: “There’s no reverence in what...

Author: By Ashley Aull, CONTRIBUTING WRITER | Title: Film Preview | 3/14/2003 | See Source »

Directorial one-upmanship and the censure of Friedkin??s predecessors for an overreliance on technology in action films perhaps lie behind such comments. Although moral lines become fuzzy within the film, the meta-filmic lines of combat stay fairly stable: Friedkin lives up to his goal, producing a nauseatingly violent action film without any key high-tech, high-caliber sequences...

Author: By Ashley Aull, CONTRIBUTING WRITER | Title: Film Preview | 3/14/2003 | See Source »

Aside from occasional excesses (which are, perhaps, simply inherent in the genre of action film), what results from Friedkin??s attempt at violence-without-bullets is an amalgamation of Saving Private Ryan, The Fugitive and a 1980s slasher movie: historical context, Tommy Lee on the tail of the bad guy and blood and guts squirting all over the place...

Author: By Ashley Aull, CONTRIBUTING WRITER | Title: Film Preview | 3/14/2003 | See Source »

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