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...years. Prior to that, there were cycles in height, depending on economic circumstances and agricultural productivity and so forth. We were relatively tall in the Middle Ages, when population densities were relatively low and food supplies were still fairly adequate. The low point was in the 17th century. Frenchmen, for example, were about 162 cm on average [not quite 5 ft. 4 in.], which is extremely small. Only since about the middle of the 19th century has there been a general trend upwards...

Author: /time Magazine | Title: Why Are People Taller Today Than Yesterday? | 7/8/2008 | See Source »

...ObamaShortly before she moved to Hawaii, Stanley saw her first foreign film. Black Orpheus was an award-winning musical retelling of the myth of Orpheus, a tale of doomed love. The movie was considered exotic because it was filmed in Brazil, but it was written and directed by white Frenchmen. The result was sentimental and, to some modern eyes, patronizing. Years later Obama saw the film with his mother and thought about walking out. But looking at her in the theater, he glimpsed her 16-year-old self. "I suddenly realized," he wrote in his memoir, Dreams from My Father...

Author: /time Magazine | Title: The Story of Barack Obama's Mother | 4/9/2008 | See Source »

...exhibition at London's Tate Modern features three heavy hitters, the Frenchmen Marcel Duchamp and Francis Picabia, and the American Man Ray. They are associated with the Dada and Surrealism movements, but they were friends before these existed, and after they ended. Of the three, Duchamp is the towering genius. Out of his own interests, phobias and distractions, he created a new aesthetic that has survived to become the reigning spirit of today's art world. Its key idea is that anything can be a work of art. Everyone has encountered this notion. No one quite knows what it means...

Author: /time Magazine | Title: Marcel Duchamp: Anything Goes | 2/27/2008 | See Source »

Though foreign-language talent gets short shrift from American studios and movie theaters, they are often honored with Oscars. Italians won for Original Score (Dario Marianelli, Atonement) and Art Direction (Dante Ferretti and Francesca Lo Schiavo, Sweeney Todd); two Frenchmen won for Makeup (Didier Lavergne, La Vie en Rose) and Live Action Short (Philippe Pollet-Villard, the director, writer and star of The Mozart of Pickpockets.) But one reason the Academy often gives Oscars to foreigners is that they seem really to want one. "Thank you, life, thank you, love," Cotillard exclaimed, as effusive as Sally Field or Halle Berry...

Author: /time Magazine | Title: Big Evening for 80-Year-Old Oscar | 2/25/2008 | See Source »

...graceful arms: the whole is captured by the unseen photographer through the open bathroom door. The year is 1952, and Simone de Beauvoir is visiting her American lover in Chicago. She never saw the photograph—the film was lost for 50 years—but last week Frenchmen saw her naked figure on newsstands across the country. The debate rages over whether Nouvel Observateur, a popular weekly, should have put this photo on its cover to commemorate the centenary of Beauvoir’s birth. After all, Beauvoir is an icon for feminism, a fiery philosopher who decried...

Author: By Alice J Gissinger | Title: On a Beau Voir Beauvoir | 1/14/2008 | See Source »

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