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Word: flatterers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...American theatre, attendance is becoming equated with participation and/or concern. Most "anti-war" plays, for example, serve only to flatter an audience into the belief that they too are opposed to suffering and bloodshed. The applause which greets a Viet Rock is self congratulatory. Curiously, plays which exist only to show that the author is angry and that the people he's angry at had better feel pretty damn guilty and scared (I am thinking of LeRoi Jones), produce a similar response...

Author: By Timothy S. Mayer, | Title: The Cult of Social Theater | 6/15/1967 | See Source »

...sometimes happens, a stranger comes to Uncle's, the boys will try and hustle him. The technique is to surround him, give him a cue (if he's not careful he plays a ball without noticing there is no tip on the stick), and then bully, beg, and flatter him into playing for half dollars. The kids are not particularly good at hustling or pool. Many of the old men in overcoats who lounge all day along Hanover Street or Salem Street could run the table on the best of them. As for hustling, hustling is a subtle game...

Author: By John D. Reed and Charles F. Sabel, S | Title: THE NORTH END | 5/12/1967 | See Source »

Reasonable Doubt. Rejection is only part of the process. Lawyers exploit voir dire as their only chance to make friends with individual jurors. They joke, flatter, hatch homilies and seek what Manhattan's Stanley Reiben calls "transference of identity." All the while, the defense attorney struggles to get across the law's presumption that a man is innocent until he is proved guilty beyond a reasonable doubt. As Houston's Walter F. Walsh points out: "Many jurors will not and cannot, within the confines of conscience, find a defendant not guilty just because there...

Author: /time Magazine | Title: Trials: The Art of Voir Dire | 4/7/1967 | See Source »

...slickly packaged Broadway sentimentality, shrewdly calculated to flatter middleaged, middle-class couples into thinking that their cup is brimming with sunshine and moonglow. The show becomes palatable for two surpassingly good reasons-Mary Martin and Robert Preston. They are charmers of seismic force and theatrical perfectionists to the fraction of a nuance. They complement each other's temperaments. Preston hisses energy. He is as restless and agile as a panther. There is no repose in him, and the world is a woman to be won. Mary Martin exists to be wooed. She focuses light, as a magnifying glass brings...

Author: /time Magazine | Title: Theater: Anniversary Schmalz | 12/16/1966 | See Source »

...voters who provided Collins with the mayoralty nomination in 1959, and 1963 are primarily lace curtain or wall-to-wall Irish, and they seek candidates whose conduct and demeanor flatter their own image. Should Collins be unwilling to run again they will probably give the nomination to someone else who closely fits their stereotype, like former Presidential Assistant Kenneth P. O. Donnell...

Author: By Paul J. Corkery, | Title: Collins and Company | 12/14/1966 | See Source »

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